Welcome to the Dragon Folk Club

Welcome to the official blog of the Dragon Folk Club, which meets for a singers night every Friday at The Bridge Inn, Shortwood, Bristol. Everyone is welcome whether you sing, play or just listen.

Tuesday, 30 September 2025

A bunch of "new" songs

A decorated door in Villefranche-de-Conflent, France
(Photo: Simon Meeds)
Last week's Dragon Folk Club session saw two visitors joining us for a lot of singing and chat. I will consider both Heather and Hazel new to the club although I believe I heard that Heather had been before though I think before any of the others present had first attended. Some of us however knew her a little from other sessions. Hazel did not perform, but it was noticed that she sang along to many of the songs and her presence was very welcome.

Before I go any further there is an important announcement. Our room at The Bridge is double-booked this Friday (3rd October 2025), so it will be a very rare Friday with no Dragon Folk Club session. We will however be back on Friday 10th October for a Harvest themed session. As always the theme is optional, but if you can bring along some appropriate songs that would be great.

Returning to last Friday, Colin as MC started the ball rolling with Tom Lewis' Sailor's prayer.

Heather's first song was Snowbird (* Gene MacLellan), a hit for Anne Murray in 1969.

Stuart and Carrie started off performing together, first with Under the boardwalk (Kenny Young, Arthur Resnick), followed immediately by Cool water (* Bob Nolan).

Sue, this week without partner Bob, sang Beyond the sea (Charles Trenet, Albert Lasry, Jack Lawrence).

Simon gave us Michelle Shocked's Ballad of Patch Eye and Meg. While this brought the first rotation to an end, Denny and Paul, who had just returned from far flung places, arrived at the beginning of the second rotation and their respective first songs of the evening were The water of Tyne (roud 1364) and One more pull (Ian Woods).

i'm going to be busy enough cataloguing, as our blog's tradition requires, the songs Heather sang on her first visit in club memory and the remarkable number which were new to the Dragon database, so I will get straight down to the job.

Heather's other songs were:

Other songs new to the Dragon database:
Simon closed the session with Stan Rogers' Northwest passage.

Now listen to a selection of songs sung during this session.

(Number of people present - 9 of whom 8 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Monday, 22 September 2025

Blue and Gold

(Photo: Simon Meeds)
What last week's Dragon Folk Club session lacked in number of singers it made up for in the eclectic selection of songs. Yes, we knew in advance that we would be a couple of regulars down and this time we didn't have any visitors, but that didn't affect the keenness with which we attacked our respective repertoires.

Colin, MC as usual, started the evening with The man in the moon (roud 21397), which Simon followed with Scarborough fair (roud 12, child 2).

Bob was straight into his genre of the blues, asking Blues stay away from me (Alton Delmore, Henry B Glover, Rabon Delmore, Wayne Raney). Sue cheered us up a bit and completed the first rotation with Sting's Fields of Gold. It was obviously this juxtaposition that gave us this week's report title.

There were only two songs this week that were new to the Dragon database:

And the only song not available for the playlist linked from "a selection" below was Sue's own Recycled teenager.

Other blue and gold songs (in some cases loosely) included:

Colin finished off the evening with George Papavgeris' Friends like these.

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Tuesday, 16 September 2025

Mining at the song-face.

Mine cage winding equipment at Beamish Museum
(Photo: Simon Meeds)
It was great to see one new face and one second time (I think) visitor at last week's Dragon Folk Club session. Jackie was the superb newcomer while Dominic was the excellent singer we had heard before.

Colin, as MC, started us off with Flying high, flying free (Leon Rosselson) and Roger followed him with Ed McCurdy's Last night I had the strangest dream.

Dominic's first of the evening was The coast of Malabar (* roud 24566) and Jackie's Dragon debut song was Rap her to bank (roud 1786), learnt during her time living in the North East of England. This was the first of quite a number of mining songs we heard during the evening. “Rap ’er te bank!” is the cry of men at the bottom of the mine shaft, waiting to come up in the cage. The onsetter would rap, and the winding man, hearing the signal would draw the cage to the surface (the ‘bank’).

Paul continued the mining theme with The old miner (roud 1136) and Denny didn't let it drop, singing The collier laddie (roud 3787 - Robert Burns).

Simon completed the first rotation with Elizabeth Padgett's The plover catcher.

It's perhaps surprising that Colin's second song, a shanty not only from the Hugill, but it seems commonly sung in school and at home for at least 90 years, is new to the Dragon database. Of course that doesn't mean it has never been sung at the club before. The song in question is Fire down below (* roud 813). I have it in a 1930s book of popular songs; perhaps I should get that book out and trawl it for some of the less sung, yet still singable, songs.

During the evening Roger sang two of his own compositions: Together we fight (*# Roger Stanleigh) and Fifties child (# Roger Stanleigh).

As always, I will mention every song sung by newcomer Jackie:

To quickly wrap up this report, here is a list of songs not mentioned so far that were either new to the database or or do not appear in the YouTube playlist linked from "a selection" below:
It fell to Simon to wrap up the session with other joining in on When all men sing (Keith Scowcroft, Derek Gifford).

Now listen to a selection of songs sung during this session.

(Number of people present - 7 of whom 7 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Thursday, 11 September 2025

A poor report of a promising evening

(Photo: Simon Meeds)
Sorry that the report of last week’s Dragon Folk Club session is rather late appearing, Blame it on the usual scribe being out of the country.

It wasn’t technically the greatest session since an Oasis tribute act was playing in the bar. This sort of thing happens from time to time, but isn’t a frequent occurrence. No doubt it was made worse by the ladies’ toilets still being out of action and therefore a steady stream of women making their way through our room. Nevertheless, every cloud has a silver lining and at least two of them contributes a song to the session.

I can assure you that we will be there again this Friday as we are almost every Friday from 8:15pm in the barn (just past the toilets) at The Bridge Inn, Bridge Road, Shortwood, Bristol (UK), BS16 9NG.

You will always find FREE ENTRY, a warm welcome, excellent acoustics, and a reasonably priced bar. Anything goes as long as it’s acoustic: a song, a story, a tune, a poem, a joke, a monologue, whatever you can come up with, and if you don’t feel up to performing eve in front of a small, friendly, crowd, then you are welcome to just listen, and maybe join in the odd chorus and some friendly banter.

Come and try us, we don’t bite.

(Number of people present - 9 of whom 8 performed)

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...and now for the addendum...

As usual, mentioning all songs sung by Dragon newcomer Amy:

Finally for now, here are the songs sung by others which were new to the dragon database:

Now listen to a selection of songs sung during this session (this week not in the order in which they were sung).

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).


Tuesday, 2 September 2025

Roger Wilco

Fishing boat with attendant gulls on Loch Hourn
(Photo: Simon Meeds)
We initially thought we would be four singers at the Dragon Folk Club last Friday, but then Roger turned up to make a perfectly quorate fivesome. It was Roger who added the most "new" songs to the Dragon database as you will see in this report.

Colin, our regular MC, started us off with The fox and the hare (roud 1140) followed by Denny who gave us Wings (Brian Bedford).

Paul proposed The Farmer's Toast (roud 1603) and Simon reprised his signature King of Rome (Dave Sudbury) after being disappointed with his own showing the previous week. And so ended the first rotation.

Second time around Colin sang the Song of the digger (* Neil Colquhoun with chorus words from a poem by William Satchell). Before it came round to Colin again Roger arrived and his first song of the evening was Flora (roud 957, laws P29).

It was Roger who sang Blueberry Hill (* Vincent Rose, Larry Stock, Al Lewis) followed by Colin with Sailing on the briny sea (# Miles Wootton).

Roger gave us two of his own songs: Goodbye I'll Try (*# Roger Stanleigh) and Dry your eyes (# Roger Stanleigh).

Colin added to the database a comedy song: The Dundee cat (* Matt McGinn) and the last "new" song of the evening came from Roger with The air that I breathe (* Albert Hammond, Michael Hazlewood).

The final song of the evening, The Mingulay boat song (Sir Hugh S Roberton) came from Paul.

Now listen to a selection of songs sung during this session.

(Number of people present - 5 of whom 5 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Wednesday, 27 August 2025

New faces

Sheep shearing at the North Somerset Show
(Photo: Simon Meeds)
We're doing really well for new faces at the Dragon Folk Club recently and last week was no exception. I don't believe either Kevin or Sarah had been to a folk club before. Sarah decided not to sing, but after observing the first rotation Kevin offered us a song on the second and on each subsequent one. Well done Kevin! Your efforts were appreciated.

Colin, our regular MC, started off with a song previously sung at the club by our friend Terry Cock, but not previously recorded in the Dragon database: John Willie's ferret (* Larry Kearns, Gerry Kearns). Larry conceived the idea for the song after John, a deer-stalker friend of the Oldham Tinkers, told how he used to take his ferrets to parties and of the havoc they caused. It is a fun song, a bit of aural slapstick. Larry wrote the words and Gerry wrote half the tune but adapted the chorus from Sur le Pont d’ Avignon (the linked version is an interesting mix of French and German).

Paul gave us Thousands or more (roud 1220) and Denny contributed Byker Hill (roud 3488).

Simon followed Colin's example by singing My grandfather's ferret (Derek Jolly) about another mischievous mustelid.

Bob's first of the evening came from his blues repertoire and was Brownie McGhee's So much trouble. Sue thought she would cheer us up with Swinging on a star (Jimmy Van Heusen, Johnny Burke), and so finished the first rotation.

Denny sang a version of the Sheep shearing song (roud 812) collected quite locally, in the Mendips which I assume to be the version collected by Cecil Sharp from William ‘Farmer’ King.

As usual I will mention all the songs of a newcomer to the Dragon, and Kevin's debut was Drill ye tarriers drill (roud 4401 - Thomas Casey, Charles Connolly).

Sue sang Low bridge, everybody down (roud 6598 - Thomas S Allen) "I've got an old mule and her name is Sal, Fifteen miles on the Eerie canal". Colin assures us that he had already planned his next song, which was therefore coincidentally The Ee-rye-ee Canal (roud 6599).

Kevin's second song transported us to Botany Bay (roud 3267).

Denny, like Colin earlier, sang a song from the repertoire of Terry Cock without knowing it; I believe she has come across Terry only once. The song was Ted Edwards' Weepin' and wailin' (*).

Kevin's third song introduced us to Henry Russell's last words (* Diana Jones), a mining disaster song made famous by Joan Baez. His final song of the evening was Carrickfergus (roud 17556 - Dominic Behan).

The final song of the session, coming from Denny, was Good English ale (roud 1512).

Now listen to a selection of songs sung during this session.

(Number of people present - 8 of whom 7 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Tuesday, 19 August 2025

With or without bangs

Enola Gay on display at the National Air and Space Museum,
Steven F. Udvar-Hazy Center
(Photo: Simon Meeds)
Another great evening at the Dragon Folk Club. Having got through the recent part of the festival season unscathed our numbers were indeed swelled. We even had another possible "catch" for the future among the ladies who walked through our room given that their principle toilet is still out of action - I am sure manager Mike is on the case, but these things take time.

Since the session fell on VJ-Day and the previous week's session should have marked the 80th anniversary of the dropping of atomic bombs on Hiroshima and Nagasaki, Colin announced an impromptu, naturally optional, war and anti-war theme, which he kicked off with The sun is burning (Ian Campbell).

Stuart and Carrie gave us two songs in duet: I'll tell me Ma (roud 2649) and Bonnie light horseman (roud 1185).

Simon returned to the anti-war theme with There but for fortune (Phil Ochs) and Rob sang his topical update of Jordan Is A Hard Road To Travel (roud 12153 - Dan Emmett) which he calls The other side of Jordan (Rob Winder).

Denny gave us The shores of old Blighty (Graeme Miles). Her friend and recent dragon recruit, Helen, contributed The rose (Amanda McBroom).

Bob brought along Call me the breeze (J J Cale) while Sue finished the first rotation with Lead Belly's Cotton fields (* roud 11662) - hands up who thought it was a Beach Boys original.

In researching this report I found that Lead Belly travelled with Blind Lemon Jefferson before his (Huddie's) first spell in prison. He was influenced by Jefferson's departures from the blues style which was being established, leading no doubt to his own near-rock'n'roll style of folk before the term was even invented.

I mention this because later in the session Bob sang Jefferson's See that my grave is kept clean (roud 7382). Bob hinted that Jefferson's later years were a mystery. It seems that's not quite true, but that is some uncertainty around his death. According to Wikipedia: "Jefferson died in Chicago at 10:00 a.m. on December 19, 1929, of what his death certificate said was 'probably acute myocarditis'. For many years, rumors circulated that a jealous lover had poisoned his coffee, but a more likely explanation is that he died of a heart attack after becoming disoriented during a snowstorm. Some have said that he died of a heart attack after being attacked by a dog in the middle of the night. In his 1983 book Tolbert's Texas, Frank X. Tolbert claims that he was killed while being robbed of a large royalty payment by a guide escorting him to Chicago Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by the pianist William Ezell.

"Jefferson was buried at Wortham Negro Cemetery (later Wortham Black Cemetery) in Wortham, Freestone County, Texas. His grave was unmarked until 1967, when a Texas historical marker was erected in the general area of his plot; however, the precise location of the grave is still unknown. By 1996, the cemetery and marker were in poor condition, and a new granite headstone was erected in 1997. The inscription reads: 'Lord, it's one kind favor I'll ask of you, see that my grave is kept clean.' In 2007, the cemetery's name was changed to Blind Lemon Memorial Cemetery, and his grave-site is kept clean by a cemetery committee in Wortham."

Bob said that See that my grave is kept clean was his second most miserable song. We didn't find out what this blues-man's most miserable song was called, but Colin gave him a good run for his money with a theme-appropriate song which gave me a bit of a run-around. No doubt the song is quite well known, but my search for the words came up with the song's origins as a poem written by Turkish poet Nâzım Hikmet and called Kız Çocuğu (The girl child). In English translation the poem is called Hiroshima child. Joan Baez sings it in the original Turkish here, but Colin sang it as I come and stand at every door (*).

With all that story I will quickly run through the other songs which are new to the Dragon database:

Stuart and Carrie finished the session with a pair of songs: The hills of Shiloh (Shel Silverstein, Jim Friedman) and Fresh as a sweet Sunday morning (Bert Jansch).

Now listen to a selection of songs sung during this session.

(Number of people present - 9 of whom 9 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).