Christmas 2024 (Part 1)

Vancouver (Photo: Simon Meeds)

Last week's Dragon Folk Club session was the first of two we are having with a Christmas theme. It was an excellent evening not least because Keith G joined us for the first time in a while. To our surprise Keith has given up the guitar which he played so well in favour of the piano, and as such he brought along a keyboard with which to accompany his singing. We'll forgive his bending of our "rule" that anything goes as long as it's acoustic on the basis that a piano is acoustic, but difficult to haul in from the car park, never mind to fit in the car.

This Friday's session (20 December 2024) will be our second Christmas themed one, but in recognition that some of us may be running a bit low on strictly seasonal songs let's widen it out a bit. We have missed Saint Nicholas' Day which was on 6th December, but since he is so closely associated with Christmas, let's consider his patronages which include: children, coopers, travellers, sailors, fishermen, merchants, toymakers, broadcasters, the falsely accused, repentant thieves, brewers, pharmacists, archers, pawnbrokers, unmarried people, Aberdeen, Galway, Albania, Russia, Greece, Liverpool, Moscow, Amsterdam, and Lorraine. That should give some scope. Also remember various Christmas traditions around the UK, Europe and the world such as Krampus (Austria) and Zwarte Piet (Netherlands).

Back to last Friday, there was a suggestion that we broke the record for songs sung in an evening at the Dragon Folk Club. This is a slightly controversial claim, mostly because it relies on double-counting a medley performed by Keith, but also because some other songs (if not performances) were arguably double counted. Nevertheless, the YouTube playlist below includes a full forty nine songs, omitting just one from the evening; that being The first hard sell sung by Colin and from the pen of Christopher Hershey.

Some people enjoy seeing which songs are new to the Dragon database, though as ever not necessarily new to the club, so they are marked below with an asterisk (*).

Colin started off the session with the version of Sweet bells (roud 936 - Nahum Tate) remembered from childhood by Kate Rusby who grew up in the Sheffield carol tradition. This is where the controversy starts since Colin's (and Kate's) version of Sweet bells is in fact a mash-up between Sweet Bells and While shepherds watched, and Denny's first song of the evening was Cranbrook (roud 936 - Nahum Tate, Thomas Clark). Sheffield carols are often known by their tune rather than their words, and in this case it is While shepherds watched to the tune better known these days as being used for Ilkley Moor bah't 'at. If this doesn't muddy the waters enough, Denny later sang Sweet chiming bells (roud 24506), which is another version of the Sheffield carol with which Colin started the evening.

Simon's first song of the evening was Gaudete, sung in Latin and from the manuscript From Piæ Cantiones, a collection of late medieval Latin songs first published in 1582, and compiled by Jacobus Finno, a clergyman and headmaster.

Paul started his evening off in a light-hearted mood with Dominick the donkey (* Ray Allen, Sam Saltzberg, Wandra Merrell). Since Keith was yet to arrive that finished off the first rotation.

Paul was next to add to the controversy, singing The holly and the ivy (roud 514) and later coming up with the Sans day carol (roud 514), which is considered to be a variant of the same song.

The real controversy though came with the arrival of Keith G and his combining of two songs: Is you is or is you ain't my baby (* Billy Austin, Louis Jordan) and Hit the road Jack (* Percy Mayfield). If we consider these as two performances, as Colin is inclined to do, then fifty songs and an all-time club record was scored; if we don't then the record was equalled at forty nine.

Keith's next song, this time from the singing of Bonnie Raitt, was Too long at the fair (* Joel Zoss) and he went on to give us an improvised version of Love is the sweetest thing (* Ray Noble).

With the main controversy over, let's just list a few more notable performances (not that others weren't also notable):

• Colin - The forest carol (* Leonard Clark, Johnny Coppin)
• Paul - Carol of the creatures (* Sydney Carter)
• Keith - Light your windows (* Gary Duncan and David Freiberg of Quicksilver Messenger Service)
• Paul - Herod and the cock (* roud 306, child 55)
• Keith - Drinking alone (* Graeme Douglas, Will Birch of the Kursaal Flyers)
• Denny - See amid the winter snow (* Edward Caswall)

That left it to Paul to finish off the evening with an unusual version of I saw three ships (* roud 700) known as the ‘Crawn’ version. It was collected in 1895 from a Humber estuary boatman, and ultimately published by Baring-Gould in his Garland of Country Songs in the same year. It finally makes sense out of the puzzle of why three ships appear in the Christmas narrative at all. Legend has it that the skulls (‘crawns’ = ‘craniums’ = ‘crowns’?) of the ‘Kings’ or ‘Wise Men’ were taken and lodged in the cathedral at Cologne.

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

To the sea via Scotland and Lancashire

USS Tennessee was originally named
USS Madawaska in 1865 and
was renamed in 1869

Last week's Dragon Folk Club session combined songs left over from the previous week's dual themes of Scotland and Lancashire with quite a number of songs from or about the sea as well as some references to the imminent extreme weather (Storm Darragh was to bring gale force winds). As always, you can listen to most of the songs we sang by following the link from "a selection" below to the YouTube playlist set up for the purpose.

This Friday (13th December) the theme will be Christmas, so you can show your love for the festival your "bah humbug" or simply appreciate the related historical and/or religious themes. As always the theme is optional so anything goes as long as it's acoustic. And if that wasn't enough, next week's theme (20th December) will be "Christmas Leftovers". Yes, at the DFC we like to get started early on the turkey fricassée.

Remember that 27th December will be one of those rare Fridays when we don't meet, so save up those New Year and Twelfth Night songs for 3rd January when we will be back in the swing of it.

Returning to last week's session, Simon was unusually early arrival and so was asked to start: he sang The twa magicians (roud 1350, child 44). Colin followed on with Pay me my money down (roud 21449). Paul's first song of the evening was The leaving of Liverpool (roud 9435) and Denny gave us Ye Jacobites by name (roud V31021). The original song simply attacked the Jacobites from a contemporaneous Whig point of view, but Robert Burns rewrote it in around 1791 to give a version with a more general, humanist anti-war, but nonetheless anti-Jacobite outlook. This is the version that most people know today.

Like the week before there were no songs sung during the evening that were new to the Dragon database. There was just one song that couldn't be found on YouTube and is therefore not included in the linked playlist. There may be a very good reason for that...

The song in question, sung by Colin, was The war junk Tennessee (Willis). According to The Beaufort Tribune and Port Royal Commercial of 8th March 1877, "on board the United States steamer Tennessee a pleasant minstrel entertainment was given by the enlisted men. Among the features of the performance was a 'Chinese opera,' composed by a well known sailor poet and author, Willis, a quarter-gunner on the ship, who comes honestly by his knack of rhyme". It goes on to say that Willis was the nephew of Nathaniel Parker Willis (January 20, 1806 – January 20, 1867), an American writer, poet and editor who worked with several notable American writers including Edgar Allan Poe and Henry Wadsworth Longfellow. Presumably "Willis" was the son of NP's brother, Richard Storrs Willis who was a composer, mostly of hymn tunes.

The Beaufort Tribune continues that the song "is supposed to be sung in the character of a Chinese tailor, who sought a contract for supplying the crew with clothing."

The session was closed by Denny who sang Come by the hills (W Gordon Smith).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

St Andrew's Day 2024 (with added Lancashire)

The Lancashire Fusilier pulling
The Jacobite (Hogwarts Express)
over the Glenfinnan Viaduct
(Photo: Simon Meeds)

Last week's Dragon Folk Club session was officially themed for St Andrew's Day. Saint Andrew is patron saint of Scotland among many other things. However Denny asked us also to consider that it was the week of Lancashire Day, her native county, and therefore that was a secondary theme.

Before getting down to business, it's worth pointing out that this week's Dragon session (6th December) will be themeless before we make the big move to Christmas on 13th, and have a premature Christmas leftovers (turkey curry, etc.) session on 20th. 27th December will be a very rare Friday of rest for the Dragon before we come back with a bang for New Year and a slightly early Twelfth Night on 3rd January. It's important to note that our themes are always optional and therefore anything goes at the Dragon as long as it's acoustic.

Back to last Friday, we had a variety of approaches. Colin and Paul stuck with Scotland, while Denny concentrated on Lancashire and Simon alternated between the two. Remember that Lancashire was considered to be the traditional county which includes places no longer in it such as Liverpool, Manchester and Salford.

Colin, MC as usual, started off with Dougie MacLean's Ready for the storm. Simon started off with a song which he obtained from a Scottish source (Scotch Measure, Jim and Sylvia Barnes), but which he has hear attributed not only to Scotland, but also to Ireland and even to Lancashire! The song is The handweaver and the factory maid (roud 17771).

Paul remained firmly north of the border with A Scottish soldier (Andy Stewart) and Denny comlpeted the first rotation in Lancashire with a monologue: The lion and Albert (Marriott Edgar). Edgar was in fact born in Scotland, but his father and two aunts were born in Lancashire, so this actually hits both themes.

At this stage I'll say that unusually there were no additions to the Dragon database this week, and there was only one song not to be found on YouTube, and therefore not in the playlist linked from "a selection" below. That lone song is The pickled herring man (Cathy Wallis).

I could end this report there and fast forward to the last song of the evening, which indeed came slightly earlier than usual when the pub closed prematurely. Presumably the closure was due to lack of customers, and we might have predicted it would be so since all of us managed to park on the pub forecourt when we arrived: a very uncommon occurrence.

Nevertheless, let's have a look first at a handful of our other notable performances of the evening - not that all are not notable.

Paul referred to his apparently fictional collection of Judith Durham records before singing The Eriskay Love Lilt. [Ed: I have some albeit from my father's collection, but I definitely grew up with The Seekers on the record player]

Denny revisited to the plight of a small boy in Blackpool with Albert's return (Marriott Edgar).

In The Hielan' man perhaps Colin selected one of the rarer songs of the evening, and one with its own challenges to the researcher being from the pen of Scotsman Matt McGinn, not to be confused with the Irish Matt McGinn or the American Matt McGinn, or indeed the English Matt McGinn.

Simon warned before singing Mike Harding's Small high window (a Lancashire contribution) that he might end up drifting into too higher key. In the end he admitted that the actual problem was more one of over-compensation and signing in his boots.

After a request from the pub staff to finish quickly there was a hasty last round which finished with Denny singing Icy Acres (Colin Wilkie).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)