Burns Night 2023

What a great session we had last Friday, and a total contrast to the week before. There were six of us, including two newcomers who both sang. This is definitely a result. The newcomers were Alan and Paula. Alan is a member of the Barnacle Buoys shanty group.

The theme was Robert Burns since we were meeting just a couple of days after Burns Night. Though there were quite a few Scottish songs there weren't many actual Burns songs in evidence. In fact I only counted two, but I may have missed others.

Colin, in his usual role as MC started us off in pseudo-Scottish mode with Haggis Season (Jeremy Lloyd, Jim Parker).

Simon's single Burns offering was Ye Jacobites By Name (roud 31021). Bob and Sue wisely stayed off topic, Bob singing John Prine's You Got Gold (writing credits shared with Keith Sykes), and sue bringing out Homeward Bound (Paul Simon).

Talking of Paul Simon, we probably all know about the historical tension between Simon and Martin Carthy over Scarborough Fair (roud 12, child 2). That's all well known, but just this week we found out that Martin's daughter, Eliza Carthy only heard Paul Simon's version of the song for the first time a few weeks ago.

Alan's first song is perhaps called Why Did They Take Them All. I can't find anything about it, so I suspect it may be his own work. Paula skipped the first round, but she will be mentioned since it is traditional to mention all songs sung by newcomers.

Alan gave us two more songs which were definitely at least partly his own work: When The Shanty Men Come Steaming In and Queen And Country. He also sang some more familiar fare: Johnny Come Down To Hilo (roud 650), Wave Over Wave (Jim Payne), The Mermaid and I Wish They'd Do It Now (roud 1401).

Paula started off a little later than the rest but in fine form with The Fisherman's Lassie going on to sing The Yellow Handkerchief (roud 954), Pleasant And Delightful (roud 660, laws O30) and Rosabella. That last linked video is of the Barncale Buoys singing Rosabella and Alan can be seen bottom centre, so there's a bonus for this blog report.

There were a few points that need to be cleared up on other songs sung during the evening where discussion on the night was inconclusive or misleading:

• For House Of The Rising Sun (roud 6393) which Sue sang, I have linked a video of Dave Van Ronk's version because he seems to have coined the popular tune made famous by The Animals. While the song has its origins in England, the current song crossed the ocean and was known by American miners in 1905. The oldest published version of the lyrics is that printed by Robert Winslow Gordon in 1925 and started "There is a house in New Orleans, it's called the Rising Sum, It's been the ruin of many poor girl" (rather than boy).
• Bob's Empty Bed Blues is a rather raunchy, maybe even bawdy song written by J C Johnson and first recorded by Bessy Smith.
• Colin's Campbeltown Loch wasseems to have been written by Alan Cameron. The tune is The Glendaruel Highlanders.
• Sue's Something was of course written by George Harrison.
• Colin had what I believe was the second and final Burns song of the evening with Parcel Of Rogues (roud V31022).

It was indeed Colin who finished the evening with Air Fa La La Lo, which is a traditional Gaelic song translated into English by Hugh S Roberton.

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 6 performed)

Incomplete recall

We were back to a skeleton staff at the Dragon Folk Club last Friday, but we had a good evening nevertheless. This week we will be one core man down - Colin, our usual MC - so all being well Simon will be MCing. Please make an effort to come along and sing, play, tell a story or even just listen.

Back to last week, MC Colin started us off with Stung Right with words by Joe Hill. The tune (written by by Winfield S Weeden) comes from an evangelical hymn called Sunlight, sunlight (words by Judson W Van De Venter) and was later used by Ewan MacColl for Browned off. Stung right was a new one for my database, but Colin had sung here it before.

Mike sang two songs which can both be known as Tom's gone to Hilo: Tom's gone to Hilo (roud 481) and Johnny come down to Hilo (roud 650). Simon didn't remember having heard roud 481 before, but Mike assured him he had previously sung it here.

Colin didn't remember Simon having previously sung Mike Harding's A small high window though he had done so.

Simon finished the evening slightly early since we were the only people in the pub and the staff wanted to close. It's always good to close with a joiner-inner. In this case The Galway Shawl (roud 2737).

Now listen to a selection of songs sung during this session.

(Number of people present - 3 of whom 3 performed)

Somewhat nautical

(Photo: Simon Meeds)

We are still on low numbers but at least we now have a good idea of why our other core members are absent at the moment and hope to see them in the next few weeks. In the meantime newcomers and visitors would be very welcome to join us.

I'll keep the report short to reflect the reduced number of singers.

MC Colin started us off with That's What It's Like In The Navy written by Cyril Tawney, a songwriter he returned to later in the evening with Chicken on a Raft. Chicken on a raft is naval slang for a fried egg on toast.

Simon kept it nautical with Ian "Nobby" Dye's Welsh Back Quay as did Mike with Johnny Come Down to Hilo.

The second round started with Colin singing Coaly Tyne (Roud V21088) which prompted Simon to give us Mark Knopfler's Sailing to Philadelphia ("Far away from the coaly Tyne"). Mike followed up with When Johnny Comes Marching Home (Roud 6673), which he said has been used as a shanty.

We continued, not always in a nautical vein until the evening was rounded off by Simon singing Suzanne Vega's Tom's Diner.

The following evening Simon and Colin (dubbed "The Wreckers") joined Mike and two of his fellow Bristol Shantymen as an ad hoc chorus for an enjoyable evening of shanty singing at Tormarton.

Now listen to a selection of songs sung during this session.

(Number of people present - 3, of whom 3 performed)

Starstruck Folkies

Female drummer (Roud 226)

This week we learnt that Mike, a long-time critic of guitars at folk clubs, has bought an example of that classic famed instrument of folky torture, the banjo! Of course, in experienced hands, such as those of the club's friend Betty, my old friend Richard Holland, or hundreds of other accomplished players, it can be absolutely acceptable but we shall see (or maybe we won't see) what Mike makes of his new purchase.

We were visited this week by Neil, who has been in touch with me for a few days regarding the possibility of filming a documentary about the club. He brought his camera and did some filming, though he hopes to return sometime to do a proper filming session. Capturing each singer involved moving the microphone into position and placing candles close enough to shed some light on the subject. Mike seemed to be looking for a make-up artist but none was forthcoming.

Pre-session discussions were sparked by Maggie handing out copies of the magazine Folklife Quarterly. The main subject was Vin Garbutt, who appeared on the cover in an advert for the Bromyard Folk Festival. I don't remember exactly how, but this eventually led to Derek singing an excerpt from the Rigs of time.