The pub with no beer

IMPORTANT NOTE: We are hoping there will be a Dragon Folk Club session this Friday (15th September 2023), but we're not certain at the moment. This isn't because of the current situation with the pub (see below - which should have improved by Friday), but because some of our key members may not be available due to family matters. I will post an update here later in the week, so keep watching, and mark us in your diary anyway in expectation that all will be well.

Last week at The Bridge was interesting... hmmm. True, there was only one singer present, and true he did sing sixteen songs - you'll have to trust him on that. But stranger, there were no bar staff and no beer. Wait, that's not quite as bad as it sounds. Apparently The Bridge's faithful regular drinker, Allie, turned up and found nothing happening. She asked what it was about and was told there were no staff, so she volunteered to work behind the bar, and a pretty good job she did of it - friendly and warm as always, and seemed to know what she was doing. According to Allie the beer had not been ordered, so not only was there no Doom Bar (shock, horror), but no other beer on tap nor even in bottles and cans. However there were several ciders, which did the job for one lonely singer, even if the effect was a slightly burpy (TMI?) rendition of some songs - maybe best that there was no one to hear.

Simon started, continued and finished the session, so I won't bother to add too much detail to this report, but in the process he sang loudly in case someone passing the door on their way into the gents heard and felt moved to wander in (they didn't), and he sang some songs rarely sung by him, and some rarely in the club. There was only one song new to the Dragon database which I have marked below with an asterisk (*), and even that was certainly not new to the club, just not previously electronically recorded.

Here is the complete list.

• Margarita (Harvey Andrews)
• Small High Window (Mike Harding)
• City of New Orleans (Steve Goodman)
• Bully in the Alley (roud 8287)
• The World Turned Upside Down (Leon Rosselson)
• Portobello Road (Cat Stevens/Yusuf, Kim Fowley)
• Cousin Jack (Steve Knightley)
• The Boxer * (Paul Simon)
• And the Band Played Waltzing Matilda (Eric Bogle)
• The Gambler (Don Schlitz)
• The January Man (Dave Goulder)
• Martin Said to his Man (roud 473)
• The Mighty Quinn (Bob Dylan)
• Summertime (DuBose Heyward, George Gershwin, Ira Gershwin)
• The Tailor's Breeches (roud 1610)
• This Land is Your Land (roud 16378, Woody Guthrie)

I think that a pretty eclectic one-man performance. It's just a pity there was no one to hear it.

Now listen to a selection of songs sung during this session.

(Number of people present - 1 of whom 1 performed)

Cowboys and war

"The Cow Boy", taken near Sturgis,
Dakota Territory (now South Dakota)

This Friday (18th March 2022) we will have a theme for our session closest to St Patrick's Day, so any songs from Ireland, of Ireland, about Ireland, or about any of the other patronages of Patrick, will be very welcome. Failing that, remember our themes are always optional. Also bear in mind that there will be no session on the following Friday (25th March 2022), so don't go to The Bridge Inn, Shortwood that evening expecting folk in the pool room, but do go if you would like a drink. There may even be other types of music in the bar. but I haven't got the pub calendar to hand.

We were back down to three singers for last Friday's session, but it was worthwhile nevertheless. There was maybe less "folk music of these islands" in evidence than usual, but variety is no bad thing and anything goes at the Dragon.

Colin, in his usual post as MC, started off with Graham Nash's Teach your children. Simon followed with Graham Moore's Tom Paine's Bones.

One of the mainstays of Geoff's repertoire consists of Irish songs, so when he heard about the following week's theme, he needed to be careful about what he sang. He therefore focused mainly on another of his genres: cowboy songs, and particularly on this occasion the songs of Marty Robbins, from whose pen he sang: El Paso, Five brothers and Big Iron.

Not to be outdone, Simon went a little bit country with The Gambler (Don Schlitz) and The son of Hickory Holler's tramp (Dallas Frazier).

The link between cowboys and war might be found in children's games, but the reason for war and anti-war songs is obvious today with conflict going on in Ukraine, and so it was that we had songs of this genre.

Colin sang PF Sloan's Eve of destruction and Lenny Galant's Maria Diaz - Garth Hewitt's I didn't speak up could also fit here. Simon came in with Mike Harding's Jimmy Spoons and Eric Bogle's The band played Waltzing Matilda. Geoff contributed Buffy Sainte-Marie's Universal Soldier.

It was Geoff who closed the evening on a lighter note with Bird Dog (Boudleaux Bryant).

Now listen to a selection of songs sung during this session.

(Number of people present - 3 of whom 3 performed)

They've come to take me away

Ambulance (thanks to anyjazz65)

An interesting session last week had a variety of mini-themes and outliers. Before settling down to a report I must inform you that our St George's Day session has been postponed, so this week's session (20 April) will have no theme and it is next week (27 April), when you are invited to bring all your material relating to England, St George, dragons and anything else that may seem relevant.

Back to last week, there was no official theme but Colin, while efficiently filling his role as MC, took upon himself a theme of songs written by our old friend, Richard Gillion, most of which took superstitions as their subject, it being Friday 13th.

There's going to be a revolution

Bolshevik forces marching on the Red Square

Last week's session saw six of us singing a wide variety of songs to no particular theme. This Friday the theme will be Halloween so we look forward to hearing your songs of ghosties and ghoulies and long legged beasties, or maybe hubble, bubble, toil and trouble.

It was good to see Phil after missing the last few months, bringing back his songs of 19th and early 20th century USA. Colin was MC and started off the session with Tim Laycock's Heaven's A Bar.

A few discernible mini-themes emerged during the evening, not least the singing of two quite different versions of the same song (Roud 1, Child 200). Colin started it off with Raggle Taggle Gypsy while Phil gave us the transatlantic version in the shape of Gypsy Davy.