Not quite the end of war

Bristol Remembrance Sunday parade 2019
(Photo: Simon Meeds)

Last week's session had no theme and in fact it was a bit short, not just because we were thin on the ground but because everyone present seemed to have a reason for wanting to leave early, so our normal interval time of 10pm was unusually our end time. Nevertheless, we got through 16 songs, which wasn't bad going.

Colin kicked us off with Hard Times Of Old England (Roud 1206). There was a debate between Colin and Mike as to whether it was made famous by Steeleye Span (1975) or by The Young Tradition, who would certainly have been earlier since they split up in 1969, but I haven't been able to find confirmation that they recorded the song. I've stayed above that discussion by going with the Copper Family (who originally recorded it in 1955). Here's another recording that just predates 1975: The Etchingham Steam Band with the unmistakable voice of Shirley Collins.

Derek's version of The Blantyre Explosion (Roud 1014) puts it at a timely 11 November but he indicated it had always puzzled him because the actual disaster was on 22 October 1877. He assumed that November helped the rhyme.

When Simon sang Graham Moore's Tom Paine's Bones. Derek, a recently retired maths teacher, wondered whether he should have asked for it to be rewritten as John Napier's Bones.

Mike, for reasons known only to himself decided to continue the previous week's war (remembrance) theme through most of the evening, starting with a medley of I Don't Want To Join The Army (Roud 10263) and When This Lousy War Is Over (tune by Charles Crozat Converse).

Derek harked back even further to our Bonfire Night theme of two weeks ago singing what I discovered back in 2016 was the Nottinghamshire / Derbyshire version of a Guy Fawkes night rhyme: "All the little angels are dressed in white".

Simon finally gave in to the war theme with The Gentleman Soldier (Roud 178).

Unusually these days, Mike got to finish off the evening and in doing so set me a challenge to find a recording the exact version of All The Good Times (word by Bob Pegg) that he sang. I wonder whether I managed it? The clues he gave were that it was someone who sang regularly at The Lamb in Iron Acton (the second venue in this club's long history and the first which Mike attended) but he was not a member, which presumably made him a well-known performer. He also said it was the same person from whom he learned the song he sang on the previous rotation: Peter's Private Army (Martin Graebe). So, my guess is Johnny Collins (linked above).Am I right?

Now listen to a selection of songs sung during this session.

(Number of people present - 4, of whom 4 performed)

Centenary of Passchendaele

Australian gunners on a duckboard track in
Château Wood near Hooge, 29 October 1917
(Photo: Frank Hurley)

We were about to start with only three of us at last week's session when Mike came through the door with his canine companion, Indy. As he left for the bar I think it was Colin who suggested we start and Derek who insisted we wait for Mike to return. And so we started with four, plus dog. But before we were through a song or two Chris and Roger arrived to make us properly quorate.

Colin was MC and started the singing with Lamorna (Roud 16636), a song from Cornwall; a version of a song from Manchester called Pomona.

Simon was next to sing with No Sir No (Roud 146). Derek noted this week's centenary of Passchendaele, the Third Battle of Ypres and sang what he claimed was the Copper Family's version of Two Young Brethren (Roud 202). Well the linked version by Folly Bridge appears to be faithful to the Copper's but isn't particularly close to what Derek sang. In any case, Mike commented in relation to Derek's version that his friend Dave Marshall sang very similar words but had two further verses, I believe making more of the brewing of the harvest to make beer.

Remembrance - 2015

As last week's session marking Remembrance continued, news of the massacre in Paris started to unfold on my phone. I didn't mention it to those assembled as the scale of the incident wasn't yet clear and I didn't want to disrupt proceedings, but it now seems somehow appropriate that we were remembering past conflicts and mostly asking for peace. I don't want to dwell on it too much but I'm sure we would all want to offer support to those in Paris and the rest France who we know, and those we don't.