Welcome to the Dragon Folk Club

Welcome to the official blog of the Dragon Folk Club, which meets for a singers night every Friday at The Bridge Inn, Shortwood, Bristol. Everyone is welcome whether you sing, play or just listen.

Tuesday, 3 July 2018

Give me that old time religion

(Photo: Simon Meeds)
It'll be a concise report of last week's session but I hope it will still give you a flavour of what happened.

There was a tongue in cheek note at the end of the previous week's blog report that there might be a theme of carrier bags. Colin started us off with his one plastic bag song: Benledi Street Ballad. Apparently Coin found three other songs about bags but hadn't been able to prepare them for performance.

I don't think Derek's Lake of Coolfin (Roud 189, Laws Q33) had anything to do with bags of any kind and neither did Geoff's first: Master McGrath (James Custer, Roud V32683).

Wednesday, 27 June 2018

The Songs People Sing

Appleby Horse Fair (Photo: Bryan Ledgard)
A brief traditional riddle for readers to solve: what did the following people do on the specified dates, which on 22nd June 2018 gave the Substitute Scribe 20 minutes respite from scribing, while the others argued about the answer?- Joe South (1968), Freddy Weller (of Paul Revere and the Raiders 1969), Dolly Parton (1969), Conway Twitty (1969), Don Gibson (1970), Sami Jo (1974), Dick Gaughan (1983), Tesla (1994), Inner Circle (1994) and Don Williams 1995.

The answer is that they all recorded The Games People Play (Joe South), which Colin sang in the course of the evening. As far as I am aware Colin has not recorded it, but 'Basement' tapes may begin to appear soon. And I need to point out that two other songs – but with the same title - were recorded by The Alan Parsons Project (1987) and The Spinners (1975). Sorry, not those Spinners, but an American R&B group [Ed: known in the UK as The Detroit Spinners to avoid just such confusion].

Wednesday, 20 June 2018

The bag of wind

(Photo: Marco Verch)
Last week's session was a bit thin on the ground for bodies but with some ad hoc themes we made it a worthwhile evening. Being the start of the football World Cup, "the beautiful game" (let me go off and be sick for a moment) and Russia were obvious candidates.

Colin, being MC, started us off with The Old Man Who lived In The Woods (Roud 281, Laws Q1).

Derek was the first to address the subject of the bag of wind with Little Sir Hugh (Roud 73, Child 155) - "...the lads of merry Lincoln, when they play at the ball".

Wednesday, 13 June 2018

The stories behind the songs

Coffee Culture (photo: Simon Meeds)
Last Friday some flyers for Whitby Folk Week had arrived, so the first part of the evening involved a communal inspection of the leaflet. It seemed that many on the long list of performers were from the folk old guard, and so several stories, both fond and bitter were told. I won't recount any here for fear of accusations of libel.

The session proper was MCed by Colin who kicked off with Captain Coulston (Roud 1695).

The previous week's discussion of Eniskillen/Inniskilling Dragoon (Tommy Makem [this version], Roud 2185) was continued by Geoff. While I don't claim Wikipedia to be the fount of all knowledge, this article gives a little more information which seems plausible. And yes, Tommy Makem called the version in the linked video Fare Thee Well Enniskillen and refashioned it to describe the Peninsular War.

Tuesday, 5 June 2018

Another One of Those Nights!

Bob Hart
This is the Substitute Scribe speaking. Firstly may I make it entirely clear that no one made a sustained attempt to actually sing The Purple People Eater (sorry, I don’t know its Roud number!) Colin however did sing Down by the Dockyard Wall. Derek then queried a similarity in the tune to that of Dave Webber’s Watch and Chain. Colin pointed out that both tune and words of Dockyard Wall were by Shep Woolley. Geoff proceeded to identify him as a regular actor in Rawhide and as the singer /composer of The Purple People Eater. However, as subsequent research reveals, the latter was actually Sheb Wooley[1]. The Southampton-based Shep was given his nickname (even a long thread on Mudcat nearly 10 years ago failed to reveal his real name) because he was rather more agricultural than Sheb.

Yes, folks – it was another of those Dragon nights when the craic in between is more interesting than the actual songs! And by the way did you know that the English ‘crack’ was the original word and it was only Gaelicised into ‘craic’ later? If so, please make an effort to get to the Bridge – we need your brains.

Tuesday, 29 May 2018

May it be Whitsun

Whitsun dove (Photo: Cornelia Kopp - Alice Popkorn)
Thanks to those who attended last week's session. This week will again have no set theme though you are welcome to come along with your own ideas for a theme and people may even join you in it. We're particularly keen for you to give us a try this week because we will be at least one regular down on the full compliment.

Last Friday Colin was MC and started us off with a mini theme of May given that it was our last session of the month. His first was The Bold Fisherman (Roud 291, Laws O24) and he followed that with The Spotted Cow (Roud 956).

Geoff's first song of the evening was The Humour Is On Me Now (Roud 29549) and in doing so, it seems, he latched on to Colin's May theme.

Wednesday, 23 May 2018

Royal Wedding or When Harry met Meghan


The wedding of Prince Harry and Meghan
(Photo: Implausibleblog)
Last week's session had no official theme but Colin, as MC, immediately declared that he would be singing some wedding songs to mark the wedding of Prince Harry and Meghan. Despite some mutterings from our republican contingent everyone present in the end contributed to the theme.

Colin started us off in a wedding direction with Here's To The Couple (JN Maselwa, Pete Seeger) and carried on despite no one initially joining him, with Mairi's Wedding (John Roderick Bannerman, Sir Hugh Roberton), modified for the occasion to Harry's Wedding.

Derek's first obvious contribution to the marriage theme was Lord Thomas And Fair Annet (Roud 4, Child 73) which could be said to have some relevance in including a "brown girl" though that would originally have meant a lady less desirable because she works outdoors. Once on the theme though there was no stopping Derek, whose next song was False Lover Won Back (Roud 201, Child 218).