Christmas 2024 (Part 2)

The bells of St Paul's Cathedral, London
(Photo: Simon Meeds)

Last week's Dragon Folk Club session was our second Christmas-themed evening, though Simon took the suggested opportunity to base his songs rather on Saint Nicholas' varied patronages. It was great to welcome Stuart and Carrie back to the club with their eclectic mix of songs, which they dredged deep to keep it almost entirely on topic.

Remember that this Friday (27th December) is one of those rare times when we won't be meeting to sing. Despite whispers of possible instability in our venue we hope to be back on 3rd January to welcome in 2025 with a song or thirty. The theme will of course encompass New Year, Twelfth Night, Wassail and anything else that seems appropriate. Failing that the theme is as usual optional and anything goes as long as it's acoustic.

Back to last week, there was a slew of songs new to the Dragon database, though as usual not necessarily new to the club, so I will concentrate on those, marked with an asterisk (*).

In Colin's absence, Simon took on the rôle of MC, asking Carrie and Stuart to start of the evening. They sang two songs together: Sweet bells (roud 936) being the version incorporating much of While shepherds watched recalled from childhood by Kate Rusby; and Kate's own song, Home (*).

Simon reprised Tom Paxton's The Marvelous toy (sic), which he also sang the previous week, but this time with chords which he considered more appropriate than those he had found with a spur-of-the-moment Google.

Paul started of a trend for his singing of the evening with The friendly beasts (*). While the English words were written by Robert Davis in the 1920s, the song seems to have originated in 12th-century France, set to the melody of the Latin song "Orientis Partibus".

While Mary's boy child (Jester Hairston), sung later by Stuart and Carrie, was already in the database, Denny's singing of the Boney M combination of Mary's boy child and O my Lord (* Jester Hairston, Frank Farian, Fred Jay, Hela Lorin) is a new entry. As fans and detractors of Boney M know, Frank Farian was not only the writer of most of the group's songs, and the producer who brought them together, but was the singer of most of the male parts with dancer Bobby Farrell lip-synching in the videos.

Carrie reminded us of Raymond Briggs' book The Snowman and the film of the same name by singing its song, Walking in the air (* Howard Blake).

Paul gave us March of the kings (*), a Christmas carol of provençal origin celebrating the Epiphany and the Wise Men. Recognition of the theme spread outside Provence when Georges Bizet used it in his incidental music for Arlésienne. The lyrics are regularly attributed to Joseph-François Domergue (1691–1728). In the 21st century, several American scholars have suggested that the March of the Kings has a medieval origin dating back to the 13th century. It could then be one of the oldest Christmas carols listed with Veni redemptor gentium and one of the first entirely composed in vernacular, and not in Latin.

Denny sang It's beginning to look a lot like Christmas (* Meredith Willson) which Carrie followed with A spaceman came travelling (* Christopher Davison, which is Chris de Burgh's real name) and Stuart performed Blue Christmas (* Billy Hayes, Jay W Johnson).

Carrie sang Serving girl's holiday (*) which is a traditional song, performed by Maddy Prior and Tim Hart, and later by Kate Rusby, but I've drawn a blank on any more information about it.

Paul left his ancient French carol phase and went for Here comes Santa Claus (* Gene Autry, Harriet Melka, Oakley Haldeman) and his next song was Jingle bells (* roud 25804 - James Lord Pierpont).

Denny channelled her inner Ella Fitzgerald by singing Santa Claus got stuck (in my chimney) (William D Hardy, William "Billy" Moore Jr).

Stuart found the words of Calyspo carol (* Michael Perry) hidden among his music. He hadn't thought of the song much less sung it for years. It is often thought to be a traditional folk carol from the West Indies, but in fact the writer is an Englishman who wrote the song while he was a student at Oak Hill Theological College in 1964. Perry became one of the UK's leading contemporary hymn writers, but the Calypso Carol remained his most popular work. Perry originally wrote the song for a college carol concert, and it only became famous by accident. Cliff Richard was hastily assembling a selection for radio, and included the song to replace a missing recording. It gained popularity and was included in the 1969 songbook Youth Praise 2.

Denny sang John Lennon and Yoko Ono's Happy Xmas (war is over) (*) and it was also Denny who finished the session off with Ding dong merrily on high (* roud 46420 - George Ratcliffe Woodward)

Now listen to a selection of songs sung during this session.

(Number of people present - 5 of whom 5 performed)

Christmas 2024 (Part 1)

Vancouver (Photo: Simon Meeds)

Last week's Dragon Folk Club session was the first of two we are having with a Christmas theme. It was an excellent evening not least because Keith G joined us for the first time in a while. To our surprise Keith has given up the guitar which he played so well in favour of the piano, and as such he brought along a keyboard with which to accompany his singing. We'll forgive his bending of our "rule" that anything goes as long as it's acoustic on the basis that a piano is acoustic, but difficult to haul in from the car park, never mind to fit in the car.

This Friday's session (20 December 2024) will be our second Christmas themed one, but in recognition that some of us may be running a bit low on strictly seasonal songs let's widen it out a bit. We have missed Saint Nicholas' Day which was on 6th December, but since he is so closely associated with Christmas, let's consider his patronages which include: children, coopers, travellers, sailors, fishermen, merchants, toymakers, broadcasters, the falsely accused, repentant thieves, brewers, pharmacists, archers, pawnbrokers, unmarried people, Aberdeen, Galway, Albania, Russia, Greece, Liverpool, Moscow, Amsterdam, and Lorraine. That should give some scope. Also remember various Christmas traditions around the UK, Europe and the world such as Krampus (Austria) and Zwarte Piet (Netherlands).

Back to last Friday, there was a suggestion that we broke the record for songs sung in an evening at the Dragon Folk Club. This is a slightly controversial claim, mostly because it relies on double-counting a medley performed by Keith, but also because some other songs (if not performances) were arguably double counted. Nevertheless, the YouTube playlist below includes a full forty nine songs, omitting just one from the evening; that being The first hard sell sung by Colin and from the pen of Christopher Hershey.

Some people enjoy seeing which songs are new to the Dragon database, though as ever not necessarily new to the club, so they are marked below with an asterisk (*).

Colin started off the session with the version of Sweet bells (roud 936 - Nahum Tate) remembered from childhood by Kate Rusby who grew up in the Sheffield carol tradition. This is where the controversy starts since Colin's (and Kate's) version of Sweet bells is in fact a mash-up between Sweet Bells and While shepherds watched, and Denny's first song of the evening was Cranbrook (roud 936 - Nahum Tate, Thomas Clark). Sheffield carols are often known by their tune rather than their words, and in this case it is While shepherds watched to the tune better known these days as being used for Ilkley Moor bah't 'at. If this doesn't muddy the waters enough, Denny later sang Sweet chiming bells (roud 24506), which is another version of the Sheffield carol with which Colin started the evening.

Simon's first song of the evening was Gaudete, sung in Latin and from the manuscript From Piæ Cantiones, a collection of late medieval Latin songs first published in 1582, and compiled by Jacobus Finno, a clergyman and headmaster.

Paul started his evening off in a light-hearted mood with Dominick the donkey (* Ray Allen, Sam Saltzberg, Wandra Merrell). Since Keith was yet to arrive that finished off the first rotation.

Paul was next to add to the controversy, singing The holly and the ivy (roud 514) and later coming up with the Sans day carol (roud 514), which is considered to be a variant of the same song.

The real controversy though came with the arrival of Keith G and his combining of two songs: Is you is or is you ain't my baby (* Billy Austin, Louis Jordan) and Hit the road Jack (* Percy Mayfield). If we consider these as two performances, as Colin is inclined to do, then fifty songs and an all-time club record was scored; if we don't then the record was equalled at forty nine.

Keith's next song, this time from the singing of Bonnie Raitt, was Too long at the fair (* Joel Zoss) and he went on to give us an improvised version of Love is the sweetest thing (* Ray Noble).

With the main controversy over, let's just list a few more notable performances (not that others weren't also notable):

• Colin - The forest carol (* Leonard Clark, Johnny Coppin)
• Paul - Carol of the creatures (* Sydney Carter)
• Keith - Light your windows (* Gary Duncan and David Freiberg of Quicksilver Messenger Service)
• Paul - Herod and the cock (* roud 306, child 55)
• Keith - Drinking alone (* Graeme Douglas, Will Birch of the Kursaal Flyers)
• Denny - See amid the winter snow (* Edward Caswall)

That left it to Paul to finish off the evening with an unusual version of I saw three ships (* roud 700) known as the ‘Crawn’ version. It was collected in 1895 from a Humber estuary boatman, and ultimately published by Baring-Gould in his Garland of Country Songs in the same year. It finally makes sense out of the puzzle of why three ships appear in the Christmas narrative at all. Legend has it that the skulls (‘crawns’ = ‘craniums’ = ‘crowns’?) of the ‘Kings’ or ‘Wise Men’ were taken and lodged in the cathedral at Cologne.

Now listen to a selection of songs sung during this session.

(Number of people present - 5 of whom 5 performed)

To the sea via Scotland and Lancashire

USS Tennessee was originally named
USS Madawaska in 1865 and
was renamed in 1869

Last week's Dragon Folk Club session combined songs left over from the previous week's dual themes of Scotland and Lancashire with quite a number of songs from or about the sea as well as some references to the imminent extreme weather (Storm Darragh was to bring gale force winds). As always, you can listen to most of the songs we sang by following the link from "a selection" below to the YouTube playlist set up for the purpose.

This Friday (13th December) the theme will be Christmas, so you can show your love for the festival your "bah humbug" or simply appreciate the related historical and/or religious themes. As always the theme is optional so anything goes as long as it's acoustic. And if that wasn't enough, next week's theme (20th December) will be "Christmas Leftovers". Yes, at the DFC we like to get started early on the turkey fricassée.

Remember that 27th December will be one of those rare Fridays when we don't meet, so save up those New Year and Twelfth Night songs for 3rd January when we will be back in the swing of it.

Returning to last week's session, Simon was unusually early arrival and so was asked to start: he sang The twa magicians (roud 1350, child 44). Colin followed on with Pay me my money down (roud 21449). Paul's first song of the evening was The leaving of Liverpool (roud 9435) and Denny gave us Ye Jacobites by name (roud V31021). The original song simply attacked the Jacobites from a contemporaneous Whig point of view, but Robert Burns rewrote it in around 1791 to give a version with a more general, humanist anti-war, but nonetheless anti-Jacobite outlook. This is the version that most people know today.

Like the week before there were no songs sung during the evening that were new to the Dragon database. There was just one song that couldn't be found on YouTube and is therefore not included in the linked playlist. There may be a very good reason for that...

The song in question, sung by Colin, was The war junk Tennessee (Willis). According to The Beaufort Tribune and Port Royal Commercial of 8th March 1877, "on board the United States steamer Tennessee a pleasant minstrel entertainment was given by the enlisted men. Among the features of the performance was a 'Chinese opera,' composed by a well known sailor poet and author, Willis, a quarter-gunner on the ship, who comes honestly by his knack of rhyme". It goes on to say that Willis was the nephew of Nathaniel Parker Willis (January 20, 1806 – January 20, 1867), an American writer, poet and editor who worked with several notable American writers including Edgar Allan Poe and Henry Wadsworth Longfellow. Presumably "Willis" was the son of NP's brother, Richard Storrs Willis who was a composer, mostly of hymn tunes.

The Beaufort Tribune continues that the song "is supposed to be sung in the character of a Chinese tailor, who sought a contract for supplying the crew with clothing."

The session was closed by Denny who sang Come by the hills (W Gordon Smith).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

St Andrew's Day 2024 (with added Lancashire)

The Lancashire Fusilier pulling
The Jacobite (Hogwarts Express)
over the Glenfinnan Viaduct
(Photo: Simon Meeds)

Last week's Dragon Folk Club session was officially themed for St Andrew's Day. Saint Andrew is patron saint of Scotland among many other things. However Denny asked us also to consider that it was the week of Lancashire Day, her native county, and therefore that was a secondary theme.

Before getting down to business, it's worth pointing out that this week's Dragon session (6th December) will be themeless before we make the big move to Christmas on 13th, and have a premature Christmas leftovers (turkey curry, etc.) session on 20th. 27th December will be a very rare Friday of rest for the Dragon before we come back with a bang for New Year and a slightly early Twelfth Night on 3rd January. It's important to note that our themes are always optional and therefore anything goes at the Dragon as long as it's acoustic.

Back to last Friday, we had a variety of approaches. Colin and Paul stuck with Scotland, while Denny concentrated on Lancashire and Simon alternated between the two. Remember that Lancashire was considered to be the traditional county which includes places no longer in it such as Liverpool, Manchester and Salford.

Colin, MC as usual, started off with Dougie MacLean's Ready for the storm. Simon started off with a song which he obtained from a Scottish source (Scotch Measure, Jim and Sylvia Barnes), but which he has hear attributed not only to Scotland, but also to Ireland and even to Lancashire! The song is The handweaver and the factory maid (roud 17771).

Paul remained firmly north of the border with A Scottish soldier (Andy Stewart) and Denny comlpeted the first rotation in Lancashire with a monologue: The lion and Albert (Marriott Edgar). Edgar was in fact born in Scotland, but his father and two aunts were born in Lancashire, so this actually hits both themes.

At this stage I'll say that unusually there were no additions to the Dragon database this week, and there was only one song not to be found on YouTube, and therefore not in the playlist linked from "a selection" below. That lone song is The pickled herring man (Cathy Wallis).

I could end this report there and fast forward to the last song of the evening, which indeed came slightly earlier than usual when the pub closed prematurely. Presumably the closure was due to lack of customers, and we might have predicted it would be so since all of us managed to park on the pub forecourt when we arrived: a very uncommon occurrence.

Nevertheless, let's have a look first at a handful of our other notable performances of the evening - not that all are not notable.

Paul referred to his apparently fictional collection of Judith Durham records before singing The Eriskay Love Lilt. [Ed: I have some albeit from my father's collection, but I definitely grew up with The Seekers on the record player]

Denny revisited to the plight of a small boy in Blackpool with Albert's return (Marriott Edgar).

In The Hielan' man perhaps Colin selected one of the rarer songs of the evening, and one with its own challenges to the researcher being from the pen of Scotsman Matt McGinn, not to be confused with the Irish Matt McGinn or the American Matt McGinn, or indeed the English Matt McGinn.

Simon warned before singing Mike Harding's Small high window (a Lancashire contribution) that he might end up drifting into too higher key. In the end he admitted that the actual problem was more one of over-compensation and signing in his boots.

After a request from the pub staff to finish quickly there was a hasty last round which finished with Denny singing Icy Acres (Colin Wilkie).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

All bets off for one week

(AI image from Stable Diffusion)

Last week's Dragon Folk Club session was a bit in between - in between themes in this season of themes. Its predecessor was Remembrance and this Friday it will be St Andrew's Day. More of that in a moment. Without a theme it gave people absolute freedom. Simon had quite a few war-themed songs left over from Remembrance while Colin thought he would lift the previous week's mainly sombre mood with some more cheerful ditties. Paul and Denny brought us a variety of seasonal, unseasonable and sing-along offerings.

So, to this Friday's theme (29th November). St Andrew, whose saint's day is on 30th November, is of course best known as the patron saint of Scotland, so anything Scottish or about Scotland will do. Also bear in mind Andrews other patronages include: Barbados, Georgia, Ukraine, Russia, Greece, Cyprus, Romania, Amalfi, Manila and Prussia; fishermen, fishmongers, rope-makers, textile workers, singers, miners, pregnant women, butchers, and farm workers.

If that doesn't give you scope enough, on Denny's request there will be a secondary theme of Lancashire Day (27th November). Remember that the county of Lancashire traditionally includes Manchester, Salford and Liverpool, none of which are in the current county, but all are fair game for the session.

Then, of course, our themes are always optional, so anything goes as long as it's acoustic, though with all that themery to go on we can probably find a tenuous connection for almost any song.

Back to last week, Colin, MC as usual, started us off with The Seven Wonders (*), credited as Welsh traditional, arranged by Maddy Prior and June Tabor who acquired it from Mick Tems of Pontardawe. Tems wrote on mudcat.org:

"The Seven Wonders is a 19th century translation of the song Y Saith Rhyfeddod, which comes from the Bala region of North Wales, collected by the Welsh Folk Song Society early in the 20th century. It falls into the same class of song as Martin Said To His Man and The Derby Ram... wild boasts, impossible achievements etc.

"I heard it sung as The Seven Wonders by an old farmer at the Gwyn Arms in Glyntawe, at the upper end of the Swansea Valley in South Wales, around 1971. We used to go to the pub for sessions and some of the locals would join in. I wish I had been more interested in collecting at that time...

"The words I heard sung were very close to a printed version, translated by Ieuan Ddu (the bardic name of the 19th century writer John Thomas). June heard me sing it c. 1976 and asked if she could have it. Other singers who took it up included Roy Harris and Pete and Chris Coe. June and Maddy changed the words considerably for the Silly Sisters album (perhaps there was an outstanding copyright on the John Thomas translation)."

Paul's first song was Adieu Sweet lovely Nancy (roud 165) and Denny's was Icy Acres (Colin Wilkie). Simon gave us Elizabeth Padgett's The Plover Catcher which brought the first rotation to its end.

Other songs that I need to mention this week are:

• Paul - Tracks in the snow (Steve Thomason) - not in the YouTube playlist but click on the title here to listen
• Denny - Follow me 'ome (* Rudyard Kipling, Peter Bellamy)
• Colin - Sicknote: the reply (Stanley Accrington) - not in the YouTube playlist
• Colin - Green peace, really green (* Geoff Pearson)
• Colin - Five o'clock in the morning (* roud V652) - not in the YouTube playlist

Colin rounded off the evening with The blackbird (Pete Budd, Tommy Banner, Tony Baylis).

(An asterisk "*" by a song indicates that it is new to the Dragon database, and may or may not be new to the club)

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

Remembrance 2024

Remembrance Sunday parade, Bristol 2023
(Photo: Simon Meeds)

11th November is Remembrance Day or Armistice Day in the UK, so the Dragon Folk Club session on 15th was our annual Remembrance theme. Traditionally we include anything to do with war, anti-war sentiment and wartime songs. We stayed reasonably well on topic though there are a few songs where you might struggle to find the link.

This Friday we have a break from themes with an entirely themeless session, so anything goes as long as it's acoustic.

The following week (Friday 29th) will be our St Andrews Day theme, where anything relevant to Scotland or St Andrew will be ideal. It has been suggested that since Lancashire Day is on 27th we should have that as a second theme, and that's fine. Remember that the traditional county of Lancashire also includes Manchester, Salford and Liverpool, so that gives plenty of scope! Remember also that all our themes are optional, so ultimately anything goes as long as it's acoustic.

Let's get back to last week's session. It was started by Colin, our MC, with Robert Garioch's Kriegie Ballad (*). I've marked it with an asterisk as being new to the Dragon database though it has previously been mentioned there. In 2019 our good friend Derek sang a song he called The Kriegie Ballad which somewhat resembled Garioch's song, but instead of starting "Yes this is the place we were took Sir", its first line was "We sailed on the good ship Rapallo". While Garioch's song is easier to find on the web than the one Derek sang I still haven't found it on YouTube and it is therefore not included in the playlist linked from "a selection" below.

Denny sang Cicely Fox Smith's Half past eleven square recalling the destruction of French towns in the First World War. Paul followed with the non-wartime destruction of Close the coalhouse door (Alex Glasgow).

Simon completed the first rotation with The Accrington Pals, the first of three Mike Harding songs which he sang together with one other which Harding recorded but didn't write:

• Bombers' moon (Mike Harding)
• Jimmy Spoons (Mike Harding)
• The band played Waltzing Matilda (Eric Bogle)

Colin added two more new entries to the Dragon database:

• Mademoiselle from Armentières (* roud 4703 -  a clean version of course)
• We haven't got a hope in the morning (A song from a book of songs used by 54th Wing of the RFC - not included in the YouTube playlist)

This last song started the final rotation of the evening which continued with Denny singing White cockade (roud 709) and Paul with Lowlands (roud 681). Simon finished off the evening with the junior school version of Boney was a warrior (roud 485).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

Guy Fawkes Night 2024

Last week's Dragon Folk Club session was our annual Bonfire Night or Guy Fawkes Night theme. Anything about fireworks, fires, camping, or typical campfire songs was fair game and we did pretty well at sticking, albeit sometimes tenuously, to the theme.

This Friday the theme will be Remembrance, which you might also frame as armistice, war songs, anti-war songs, wartime songs... and in any case the theme is, as always, optional, so ultimately anything goes as long as it's acoustic.

Colin as MC got the ball rolling with the first of several songs he sang that were actually about Guy Fawkes, a feat the rest of us didn't match. His first was Penny for the Guy (* Leon Rosselson). This was the first of eight songs from the evening which were new to the Dragon database, but not necessarily all new to the club. Such songs are marked here with an asterisk (*).

Paul had not been present at the previous week's Halloween themed session so he harked back to the spooks with Sweet William's ghost (roud 50, child 77).

Denny proposed singing by the campfire Ten green bottles (* roud 7603). It was hard to choose videos to link for some of the songs this week. In this case I chose the one which gave the option of clicking through to a version of the song in mandarin, which I thought was quite cool.

Simon got his mention of bonfires in early, the second line, with Brian Bedford's This is the way the world ends, and so ended the first rotation.

Colin's next song was Guy Fawkes, Prince of sinister (* roud 4974), a humorous take on Guy Fawkes which dates from about 1800.

Colin's song on the following round was one he had sung before, but I have found more information. The grand old duke of York (roud 742) is a traditional nursery rhyme, but the version he sang was an extended one from a children's book illustrated by Maureen Roffrey and written by Roffrey together with Bernard Lodge, a British graphic designer best known for his work on early series of BBC TV's Doctor Who.

Paul sang the first song of the night not to be found on YouTube and therefore not included in the playlist linked from "a selection" below. It was Jon Heslop's comedic mashup of two traditional songs entitled Dead knight behind the hedge, which you can hear by clicking on that link.

I was disappointed not to find a recording, or really any mention, of Richard Digance's Boy scout song, which Colin sang. It used to be there, but it seems almost all trace of it has been removed from the web, not just from YouTube.

Another song not in the playlist was sung by Simon: When the scouts come hiking in, predictably to the tune of When the saints go marching in.

Colin introduced us to Quick's new speech for the fifth of November on the downfall of Guy Fawkes (* roud V27114), a broadside ballad published by JV Quick in the second quarter of the 19th century. The writing, printing and selling of the ballads that usually included a Guy Fawkes speech began in October in preparation for the bonfire celebrations on 5th November. In order to boost sales publishers attempted to vary the speeches from year to year. In this example the publisher announces in the title of his broadside that this year he is publishing an entirely 'new speech for the 5th of November.'

I know for a fact that Denny's performance of Norwegian Wood (This bird has flown) (John Lennon, Paul McCartney) isn't a first for the club, but it is a new entry in the Dragon database. I remember Keith G playing it as an instrumental when he had forgotten something: his word sheet or his glasses, but I can't guarantee to remember which.

Colin's I love to go a-gorging, a parody of The Happy Wanderer (roud 25580), is another song not found on YouTube as was his song Devil and the washerwoman.

Paul sang Salty young sea dog (Graham Holland), which was yet another not found on YouTube, which is proving quite weak this week. He went on to score a database entry with One man went to mow (* roud 143).

The final new entry in the database this week came from Colin and was Porridge tragedy (*).

The final song of the evening came from Paul who, inspired by Colin's singing of the same song on another occasion, gave us The Scaffold's 2 day's Monday (Mike McGear, Roger McGough and John Gorman).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

Halloween 2024

(Photo: Simon Meeds)

It'll be a very quick report for last week's Dragon Folk Club session I'm afraid. Perhaps back to normal service next week. Being in the full flow of themes season, we were going all spooky for Halloween and we seem to have met the theme pretty well most of the time. This Friday the theme is related to Bonfire Night, so anything about Guy Fawkes, fireworks, campfires, camping, scouts and guides or anything tenuously related would work just fine, and as always it's an optional theme so anything really goes as long as it's acoustic.

Colin started us off as usual, this time with Hallows eve (Chris Hoban). Simon offered his only real Halloween song with The souling song (roud 304). Bob went all ghoulish with Ghost trains (Famous Lashua) from the singing of Hank Snow and Sue finished the first rotation with Hotel California (Don Felder, Don Henley, Glenn Frey).

The one song of the evening not on YouTube and therefore not included in the playlist linked from "a selection" below was Sue's own composition A chilly song, written in the depths of winter with some reference to our venue.

There were four songs new to the Dragon database last week though not necessarily new to the club:

• Bob - See that my grave is kept clean (roud 7382, Blind Lemon Jefferson)
• Bob - Walking to New Orleans (Bobby Charles, Fats Domino, Dave Bartholomew)
• Colin - Father Frankenstein is behind your pillow (James Warren)
• Colin - Fifteen men on a dead man's chest (Robert Louis Stevenson, Young Ewing Allison)

It fell to Sue to close the session which she did with Make you feel my love (Bob Dylan).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

Blue, purple and green

Rain at Dungeness (Photo: Simon Meeds)

Last week's Dragon Folk Club session was unusual for this time of year having no theme. This Friday it will be our Halloween session, which gives quite a wide scope. Halloween is the eve of All Saints Day and is thought to be associated with the Celtic festival Samhain, when ghosts and spirits were believed to be abroad. If in doubt anything a bit spooky will do, and in any case as is always the case with our themes, it's entirely optional and anything goes as long as it's acoustic.

Back to last week, we were pleased to see Paul back and in fine voice after his serious surgical interventions, more of which later in the report. We also saw the return of occasional Dragon, John B without his sloop, but with his drum and harmonica (not at the same time).

Colin started things off with Galtee farmer (roud 9305) and John followed up with Freedom town (Delila Paz, Edgey Pires).

Paul had written a brand new song about his recent operation called Mandibulectomy blues (Paul Welcomme) and Denny gave us Half past eleven square (Cicely Fox Smith), which is about the clock in Armentiéres which remained at that time following the almost complete destruction of the town near the start of the First World War. The title of the poem and song comes from the nickname given by British soldiers to the place where it stood.

Simon finished the first rotation, not as he originally hoped with Jackson by the recently deceased Billy Edd Wheeler and his co-writer, Jerry Leiber, but with Ian "Nobby" Dye's Welsh back quay.

Apart from Paul's brand new song mentioned above there was one other sung during the evening which does not seem to appear on YouTube and is therefore not included in the playlist linked below from "a selection". That song was sung by Colin and is The sea dog, originally a poem in a book called Sea Lanes, edited by Burt Franklin Jenness, and later adapted into a song by Bob Zentz, with later adaptations also contributed by Charlie Ipcar.

As usual there were some songs new to the Dragon database, though some of them may have been sung previously at the club:

• Colin - Peg and awl (roud 4619)
• John - Purple rain (Prince)
• Denny - Evergreen (Barbra Streisand, Paul Williams)
• Colin - Shrimp boats (Paul Mason Howard, Paul Weston)

Simon finished off the evening by inviting everyone present to join in with Blow the man down (roud 2624).

Now listen to a selection of songs sung during this session.

(Number of people present - 5 of whom 5 performed)

Harvest 2024

(Photo: Simon Meeds)

Last week at the Dragon Folk Club our Harvest themed session bore fruit. We started off strongly with the theme with plenty of bucolic ballads and songs, migrating to songs of the harvest of the sea, and from there to poaching and eventually to the harvest of mineral deposits. You know how it goes.

Colin sowed the seed with John Barleycorn (roud 164) to the tune Wir Pflügen (We plough the fields and scatter). Denny followed him in the same furrow with Hey John Barleycorn (roud 2141) and Simon, not one to go against the grain, sang Windmills (Alan Bell). You'll be pleased to know I can't keep this up beyond the first (crop) rotation.

It wasn't the first time Colin had sung Linstead Market (roud 16397), but it's worth a mention as something a bit different, being in the mento style.

Both songs from the evening not found on YouTube and therefore not included in the playlist linked from "a selection" below, were sung by Colin and from the pen of Chris Sugden: All things dark and dangerous, and The stick of rhubarb.

At risk of monopoly, Colin sang both songs of the evening not previously recorded in the Dragon database, though quite possibly previously sung at the club: Our Sarah (roud 16652) and The harvest supper song (roud 1379) - the linked recording of Sheepshearing sung by The Watersons is the same song though the words may not be identical.

Possibly the first to break from country pursuits and head for the fishing grounds was Denny with John Conolly's Fiddlers Green. Hot on her heels was Simon with Candlelight fisherman (roud 1852).

Colin threw in a curve ball with Forever Autumn (Jeff Wayne, Gary Osborne, Paul Vigrass). Too late for the playlist, but I have now found the original Osborne and Vigrass recording of Forever Autumn from their 1972 album Queues. Actually, the real original was Jeff Wayne's jingle for a Lego advert before the words were added by Osborne and Vigrass.

Simon was the champion of poaching with The Lincolnshire poacher (roud 299) and Geordie (roud 90, child 209). Denny's Cadgwith anthem (roud 3314) may also just qualify.

Colin's tenuous link at this stage was Goin' Home (William Arms Fisher) set to that part of Antonín Dvořák's New World Symphony later used to advertise bread in Hovis commercials.

Denny was first to take us harvesting the black stuff with I can hew boys (Dave Dodds), but Simon soon followed her down the mine winging Dark as a dungeon (Merle Travis).

It fell to Simon to bring in the sheaves with When all men sing (Keith Scowcroft, Derek Gifford).

Now listen to a selection of songs sung during this session.

(Number of people present - 3 of whom 3 performed)

Dates for your diary

PC King on a 1972 Norton Commando
(Photo: Simon Meeds)

We had a great little session last week at the Dragon Folk Club despite the absence of a few regulars. Before I mention what we sang there is an important news item to cover.

The autumn/winter theme season is here when many of our sessions have optional themes. Remember that where there isn't a theme there is still a session unless otherwise noted, and also that the themes are always optional; as usual at the Dragon Folk Club, anything goes as long as it's acoustic.

2024 Autumn/Winter theme season

18th October - Harvest

1st November - Halloween

8th November - Bonfire Night / Guy Fawkes / Campfire

15th November - Armistice / Remembrance / War / Anti-war

29th November - St Andrew's Day / Scotland / St Andrew

13th December - Christmas theme

20th December - Christmas theme left-overs

27th December - **No session**

Yes, 27th December is one of those very rare Fridays when there is no Dragon Folk Club session. We should be back on 3rd January 2025 - watch this space for the latest.

Back to last week's session, we had a notable number of songs new to the Dragon database, though not necessarily new to the club. They are indicated in this report with an asterisk (*).

Colin, as the regular MC, started the session with Streets of London (Ralph McTell). Simon followed with Cyril Tawney's Sally free and easy, and Denny completed the first rotation with Mountains of Mourne (Percy French).

The first song new to the database came from Colin who sang Shalom chaverim (*) in several languages including English, Hebrew and Arabic. The title means "Peace, friends" and it is a Hebrew round. It is traditional, with unknown origin, possibly going back to the Habonim Labor Zionist Youth movement. The song expresses wishes for peace and well-being for a farewell, but has often been used advocating for peace.

This set off a flurry of anti-war songs, a dangerous ploy with our Remembrance-themed session just around the corner. This sub-theme included:

• Colin - H-bomb's thunder (* John Brunner)
• Denny - Cuddle against the war (* Nancy Nicolson)
• Simon - Jimmy Spoons (Mike Harding)

Colin sang Wayward wind (* Herb Newman, Stanley Lebowsky) which was first recorded by Gogi Grant in 1955.

Colin sang British Bobby (* DaveTurner) or rather Fred Wedlock's version of it which replaced Dave's home of Hyson Green, a neighbourhood in Nottingham, with Redland Green, a park in the Bristol suburb of Redland. Fred met Dave in the mid-70s on the folk circuit. "He stayed with me when he played in Bristol and I'd stay at his flat above a launderette in Hyson Green when I played in Nottingham." Fred added: "He wrote some very funny songs and he was a lovely, friendly, generous, gentle bloke. And a bit of a hippy, really."

Colin also gave us Windmills of your mind (*), first recorded in 1968 by English actor Noel Harrison after Andy Williams passed on it. The tune was written by French composer Michel Legrand. I remembered that it is a French chanson, and indeed the song is Les Moulins de mon cœur in French, the words written by French songwriter Eddy Marnay and first recorded by Marcel Amont, however it seems that the English words were written first which surprised me.

I'm drawn to Colin again for The Bristol slaver (*), written by Steve Knightley from whose songbook Colin often draws. Steve's song material often comes from Cornwall, but on this occasion we have lots of local references, particularly to Clifton.

It was Colin again who gave me interesting grounds for research with Wadham's song. It was written by a man called Wadham in 1756 as a pilot verse, giving directions to possibly functionally illiterate seamen navigating around Newfoundland between Bonavista and Notre Dame Bay. It was placed on record at the Admiralty’s Court in London shortly after it was first composed and was considered the best coasting guide for that part of Newfoundland to which it refers. Some people believe that such verses were recited rather than sung, and others that they were sung to popular tunes. Stan Hugill quotes Wadham's Song to the tune of I'll tell me Ma.

Closing the evening fell to Simon who sang Stan Rogers' Northwest Passage.

Now listen to a selection of songs sung during this session.

(Number of people present - 3 of whom 3 performed)

Farewell to Kris

Kris Kristofferson in 1978

Last week's session of Dragon Folk Club saw a welcome return for slightly more than occasional visitor Rob, and Denny brought us encouraging news of Paul after his very recent operation.

Colin started off the session with a rendition of Me and Bobby McGee, written by Kris Kristofferson and Fred Foster, no doubt in memory of the recently deceased Kristofferson who originally performed this popular song. Rob told us that while in the vicinity of Salinas, CA, which is a location mentioned in the song, he felt compelled to visit. He didn't find much there, but he will always remember a large sign proclaiming it the "Artichoke Capital of the World". According to Wikipedia that title is claimed by Castroville, but given that the two towns are less than ten miles apart, which would be considered as nothing in the USA, we'll let it go.

Simon referred to the county of his birth with John Sykes' The Lincolnshire Song.

Rob followed with The Keeper: not the traditional roud 1519, but a song written by Steve Knightley.

Denny said on her recent visit to see him in hospital, Paul had managed to sing Peggy Gordon (roud 2280), so she followed his example, asking everyone to join in in the style of a ventriloquist.

Sue was the first to add a new title to the Dragon database, perhaps in this case, but not always new to the club, with I wake up every morning with a smile on my face (* Boxcar Willie). As usual, I will mark new entries to the database with an asterisk (*).

Bob completed the first rotation with Bear Creek Blues (A P Carter).

Colin brought some jollity to the proceedings with Miles Whooton's The fishfinger song (*).

Bob has several strings to his bow, and ballads make up one of them. Drawing on that string he gave us The heir of Linne (* roud 111, child 267).

Sue sang some of her own songs, which are not available on YouTube and therefore not included in the playlist linked below from "a selection". These were: Recycled teenager, A chilly song,  and She was 73.

Denny's song, Wayhill Fair is another that eludes YouTube. It is closely related to Weyhill Fair (roud 1086) and the different spelling isn't significant. They share a tune and have similar structure, but the traditional one is purely about horses at the fair while the one sung apparently by The South Bank Grunters goes more off-piste in its descriptions of the fair.

Colin gives us Cheerily man (*). Apparently Rob was also considering singing it, and they discussed what Stan Hugill apparently described as "probably the most primitive, and one of the oldest of all these heaving and hauling songs of the sea. It was obscene to a degree and most versions have had to be camouflaged". Colin had sung a very much cleaned-up version.

Rob sang his own song, The sailor's return (Rob Winder). Denny commented on its passing similarity to Dorset is beautiful (Bob Gale) sung by The Yetties and The Wurzels. Although Rob accepted that some of his writing may be influenced by existing songs, he didn't seem to be aware of that song. Denny and Simon gave a quick rendition of the chorus to illustrate the point.

Denny sang a song not on YouTube, and that is The pickled herring man (*) by Cathy Wallis. The chorus has the man selling silver (herring) to buy gold (whisky).

Rob's next two songs were Bonnie laddie, hieland laddie (* roud 2330) and Farewell, farewell (* Richard Thompson), both of which were new to the database. Farewell, farewell was written by Thompson after Fairport Convention's van crashed on the way home from a gig in Birmingham killing his girlfriend Jeannie Franklyn and the band's drummer, Martin Lamble.

Uke player Sue sang Making love, ukulele style (Paul Weirick, Charles R Hayes), a song recorded by Dean Martin.

Colin asked Rob to finish off the evening, which he did with Hand me down my walking cane (roud 11733).

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 6 performed)

Novelty without novelty songs (this time)

(photo: Simon Meeds)

It was great to see the return of Stan to last week's Dragon Folk Club session. We haven't seen him for a while and he had been missed. You will note that I have added to the tally of those present two non-singers. These were a couple of ladies who joined us for most of one of Paul's songs and while not entirely engaged with the folk club etiquette, they were very appreciative, so they have been counted.

Colin started off the session with Steve Cropper and Otis Redding's Sittin' on the dock of the bay, which according to the Dragon database may well have only previously been sung at the club by Keith G as Colin recalled.

Stan scored the first new song of the evening for the Dragon database (though not necessarily new to the club), all of which are marked in this report with an asterisk (*). It was I'll remember you (* Kui Lee). Stan recalled Elvis Presley's recording, but it was written by Lee who was an American singer-songwriter. Lee began his career in the mainland United States while performing as a dancer. Upon his return to Hawaii he worked in clubs. At the Honey club, he met Don Ho, who popularized Lee's compositions. Ho's fame made Lee a local success in Hawaii. Multiple artists then covered his song "I'll Remember You".

Paul gave us Adieu sweet lovely Nancy (roud 165) and Denny sang Icy acres (Colin Wilkie). Denny said she had sung this song that very morning while taking her customary dip in the Clevedon Marine Lake which was two degrees (celsius) colder than on her previous visit. Colin challenged her that she might instead have sung Ee by gum (but I'm cold) (John Meeks, Colin Radcliffe, Eddie Crotty) and indeed he went on later to sing it himself.

Simon finished off the first rotation with Graham Moore's Tom Paine's bones.

Stan was definitely hot on new songs for the database, and his next was In dreams (* Roy Orbison). He continued his run of novelty with Strawberry roan (* roud 3239 - Curley Fletcher). For an extra piece of trivia, did you know that current singing star Chappell Roan (real name Kayleigh Rose Amstutz) took her stage name from her grandfather's surname and this, his favourite song?

Simon, who was not present the week before, suggested that he might have honoured the visitors from Pennsylvania with Mark Knopfler's Sailing to Philadelphia.

Colin broke Stan's run with his first contribution to the database: The Sandgate dandling song (* roud B24532 - Robert Nunn) on which the better-known Liverpool lullaby (Stan Kelly) was based - and so it crossed from the North East of England to the North West.

Paul sang Cicely Fox Smith's poem, Homeward to Sarah Morgan's tune and Denny seemingly challenged Colin, keeper of the official club record, with the title of the excellent (in my view) Rap her to bank (roud 1786).

Colin sang forth in Spanish for Guantanamera (* Joseíto Fernández, José Martí) and was followed by Stan with Scott Walker's hit song, Lights of Cincinatti (Tony Macaulay, Geoff Stephens).

Colin brought us the self-referencing Alan Price with his Jarrow Song (*). Of course the rappers of recent decades think nothing of mentioning themselves in a song, but this practice goes back further than Price and at least to Bo Diddley, possibly much further. Any suggestions of earlier examples are welcome. I'm sure there must be plenty from Music Hall and Vaudeville, and probably from the blues.

Stan came back in with Gonna get along without ya now (* Milton Kellem). I considered linking the first known recorded version by Roy Hogsed in 1951. Hogsed was born in a city which goes by the delightful name of "Flippin, Arkansas". The problem with linking this version was that it is barely recognisable as the same song as that sung in the version Stan referred to by Trini Lopez. Oh, go on, here is that first known recorded version.

We had a neat little, unintentional connected pair with Stan's I'll get over you (* Richard Leigh) from the singing of Crystal Gayle, followed by Paul's rendition of Fathom the bowl (roud 880) "There’s a clear crystal fountain near England shall roll".

Stan's and everyone's last "new" song of the evening was Sam Cooke's You send me (*). He went on to give us a precursor to the death three days later of Kris Kristofferson with Kris' song, I'd rather be sorry.

The last song of the evening came from Paul and was Farewell shanty. We don't expect to see Paul for a while since he's off to get some maintenance done, but it's not farewell, rather we hope he will be back and in fine voice in the not too distant future.

In the meantime we are back at the same time and place every Friday, so we really look forward to seeing you and ideally hearing you there.

Now listen to a selection of songs sung during this session.

(Number of people present - 7 of whom 5 performed)