Two by two

(Photo: Simon Meeds)

We always knew that last week's Dragon Folk Club session was going to be an intimate affair and so it was, but we rattled through the songs, interspersed as usual with some chat, and even added a few "new" ones to the Dragon database.

We should be back on track this Friday, so please come along to further swell our numbers. There's no theme, and in any case our themes are always optional. If you need inspiration it may or may not help will be the birthdays of among others Jake Thackray and Steve Harley, and the anniversary of the deaths of Frankie Lymon and Ray Ellington. I realise that with the possible exception of Jake, these aren't folk musicians, but they represent the wide range of styles we have been known to cover on the fringes.

STOP PRESS: I have been reminded that this Friday is the nearest one to St David's Day, so there should be a theme (optional as always) of everything relating to St David, which of course includes Wales and anything Welsh.

Back to last week, Colin was in the chair and started the evening with the Ballad of real ale (# Kevin Pratt). Simon completed the very short first rotation with Sailing to Philadelphia (Mark Knopfler).

When the audience is small we tend to head towards the songs less sung, and therefore there were a surprising numbers of new entries in the Dragon database:

• Colin - Squarin'-up time (* Arthur Scammell)
• Colin - My brudda Sylvest (* roud 10682 - Jesse L Lasky, Fred Fisher)
• Colin - I know where I'm going (* roud 5701)
• Colin - Syracuse the elephant (* Jim "Crun" Walter, Andy Cresswell-Davis) - This song from the band Stackridge is about the life of a fictional elephant at Bristol Zoo which had elephants of various names in its collection between 1868 and 2002.
• Simon - Gimme hope Jo'anna (* Eddy Grant) - a song campaigning for the end of apartheid in South Africa
• Simon - Mona Lisa (* Ray Evans, Jay Livingston)
• Simon - The sound of silence (* Paul Simon)

Colin finished off a good evening with Cousin Jack (Steve Knightley). The only thing that would have made it better was if you had been there! See you this Friday or soon.

Now listen to a selection of songs sung during this session.

(Number of people present - 2 of whom 2 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Novelty without novelty songs (this time)

(photo: Simon Meeds)

It was great to see the return of Stan to last week's Dragon Folk Club session. We haven't seen him for a while and he had been missed. You will note that I have added to the tally of those present two non-singers. These were a couple of ladies who joined us for most of one of Paul's songs and while not entirely engaged with the folk club etiquette, they were very appreciative, so they have been counted.

Colin started off the session with Steve Cropper and Otis Redding's Sittin' on the dock of the bay, which according to the Dragon database may well have only previously been sung at the club by Keith G as Colin recalled.

Stan scored the first new song of the evening for the Dragon database (though not necessarily new to the club), all of which are marked in this report with an asterisk (*). It was I'll remember you (* Kui Lee). Stan recalled Elvis Presley's recording, but it was written by Lee who was an American singer-songwriter. Lee began his career in the mainland United States while performing as a dancer. Upon his return to Hawaii he worked in clubs. At the Honey club, he met Don Ho, who popularized Lee's compositions. Ho's fame made Lee a local success in Hawaii. Multiple artists then covered his song "I'll Remember You".

Paul gave us Adieu sweet lovely Nancy (roud 165) and Denny sang Icy acres (Colin Wilkie). Denny said she had sung this song that very morning while taking her customary dip in the Clevedon Marine Lake which was two degrees (celsius) colder than on her previous visit. Colin challenged her that she might instead have sung Ee by gum (but I'm cold) (John Meeks, Colin Radcliffe, Eddie Crotty) and indeed he went on later to sing it himself.

Simon finished off the first rotation with Graham Moore's Tom Paine's bones.

Stan was definitely hot on new songs for the database, and his next was In dreams (* Roy Orbison). He continued his run of novelty with Strawberry roan (* roud 3239 - Curley Fletcher). For an extra piece of trivia, did you know that current singing star Chappell Roan (real name Kayleigh Rose Amstutz) took her stage name from her grandfather's surname and this, his favourite song?

Simon, who was not present the week before, suggested that he might have honoured the visitors from Pennsylvania with Mark Knopfler's Sailing to Philadelphia.

Colin broke Stan's run with his first contribution to the database: The Sandgate dandling song (* roud B24532 - Robert Nunn) on which the better-known Liverpool lullaby (Stan Kelly) was based - and so it crossed from the North East of England to the North West.

Paul sang Cicely Fox Smith's poem, Homeward to Sarah Morgan's tune and Denny seemingly challenged Colin, keeper of the official club record, with the title of the excellent (in my view) Rap her to bank (roud 1786).

Colin sang forth in Spanish for Guantanamera (* Joseíto Fernández, José Martí) and was followed by Stan with Scott Walker's hit song, Lights of Cincinatti (Tony Macaulay, Geoff Stephens).

Colin brought us the self-referencing Alan Price with his Jarrow Song (*). Of course the rappers of recent decades think nothing of mentioning themselves in a song, but this practice goes back further than Price and at least to Bo Diddley, possibly much further. Any suggestions of earlier examples are welcome. I'm sure there must be plenty from Music Hall and Vaudeville, and probably from the blues.

Stan came back in with Gonna get along without ya now (* Milton Kellem). I considered linking the first known recorded version by Roy Hogsed in 1951. Hogsed was born in a city which goes by the delightful name of "Flippin, Arkansas". The problem with linking this version was that it is barely recognisable as the same song as that sung in the version Stan referred to by Trini Lopez. Oh, go on, here is that first known recorded version.

We had a neat little, unintentional connected pair with Stan's I'll get over you (* Richard Leigh) from the singing of Crystal Gayle, followed by Paul's rendition of Fathom the bowl (roud 880) "There’s a clear crystal fountain near England shall roll".

Stan's and everyone's last "new" song of the evening was Sam Cooke's You send me (*). He went on to give us a precursor to the death three days later of Kris Kristofferson with Kris' song, I'd rather be sorry.

The last song of the evening came from Paul and was Farewell shanty. We don't expect to see Paul for a while since he's off to get some maintenance done, but it's not farewell, rather we hope he will be back and in fine voice in the not too distant future.

In the meantime we are back at the same time and place every Friday, so we really look forward to seeing you and ideally hearing you there.

Now listen to a selection of songs sung during this session.

(Number of people present - 7 of whom 5 performed)

Stories and links

19th-century lithograph of William Price

It was a quieter session for the Dragon Folk Club last Friday for a number of reasons, but not least because the flow of people through our room had been alleviated by the reinstatement of the proper gents toilet. There were again only two singers and this time no extras. Fewer songs were sung (a total of just 20) because we had some good chat on a wide variety of topics, among them: old friends, post-Roman Britain, BBC's Repair Shop, and even on the subject of folk songs.

Rather than a theme or even themes emerging through the evening we tended to have pairs or small groups of songs with mutual connections, some of which I will refer to here.

Talking of themes, this Friday's session will have the theme of St George's Day. The patron saint of England has among his other patronages: agricultural workers, farmers, field workers; soldiers; archers; armourers; equestrians, cavalry, saddle makers; chivalry; peacekeeping missions; skin diseases, lepers and leprosy, syphilis; sheep, shepherds, and scouting (oh and let's not forget he's said to have slain a dragon). That should give plenty of scope for songs to sing, tunes to play and stories to tell for all those types of performance and more are welcome as long as they are acoustic. Also, don't worry if you can't stick to the theme, it's intended as a fun guideline, not as a straitjacket.

Colin as MC started things off with Doctor Price (Meic Stephens) about William Price a Welsh physician and political activist best known for his support of Welsh nationalism, Chartism and involvement with the Neo-Druidic religious movement. After cremating his dead son in 1884, Price was arrested and put on trial by those who believed cremation was illegal under English law; however, he successfully argued that there was no legislation that specifically outlawed it, which paved the way for the Cremation Act 1902. Upon his death, he was cremated in a ceremony watched by 20,000 onlookers.

Simon started something with Jez Lowe's song The Bergen because Colin replied immediately with The wrong bus from the same writer, and later with his Tether's end.

Colin said he had experienced some difficulty finding the story behind The London steamer (roud 17760). The song is about the SS London which sank on 11 January 1866 in the Bay of Biscay on its way from Gravesend, England to Melbourne, Australia. A story later highly publicised after the loss states that when the ship was en route down the Thames, a seaman seeing her pass Purfleet said: "It'll be her last voyage…she is too low down in the water, she'll never rise to a stiff sea." Indeed she was overloaded and the words were prophetic.

Colin's Jim, the carter lad (roud 1080) is a surprising new addition to the Dragon database. It must surely have been sung at the club before, but probably not recently. It was also Colin who came up with the next database addition: Canny miner lad (Ian Campbell).

Colin brought out Coaly Tyne (roud V21088) which led Simon to sing Mark Knopfler's Sailing to Philadelphia which quotes the same description of the river in its chorus.

Colin sang the only song of the evening not included in the YouTube playlist linked from "a selection" below, and that was his own song In the country. This led Simon to respond with that "country chap" Buttercup Joe (roud 1635).

The third and final addition of the night to the Dragon database was Colin's singing of the theme tune of BBC sitcom Last of the summer wine by Ronnie Hazelhurst with lyrics added by Roy Clarke (series scriptwriter), Bill Owen (the actor who played Compo), Alan Bell (series producer/director).

Simon finished off the evening with a song which, when he originally tried to learn it, confused him by its tune's similarity in part to that of Last of the summer wine. The song in question was When all men sing (Keith Scowcroft, Derek Gifford).

Now listen to a selection of songs sung during this session.

(Number of people present - 2 of whom 2 performed)

Somewhat nautical

(Photo: Simon Meeds)

We are still on low numbers but at least we now have a good idea of why our other core members are absent at the moment and hope to see them in the next few weeks. In the meantime newcomers and visitors would be very welcome to join us.

I'll keep the report short to reflect the reduced number of singers.

MC Colin started us off with That's What It's Like In The Navy written by Cyril Tawney, a songwriter he returned to later in the evening with Chicken on a Raft. Chicken on a raft is naval slang for a fried egg on toast.

Simon kept it nautical with Ian "Nobby" Dye's Welsh Back Quay as did Mike with Johnny Come Down to Hilo.

The second round started with Colin singing Coaly Tyne (Roud V21088) which prompted Simon to give us Mark Knopfler's Sailing to Philadelphia ("Far away from the coaly Tyne"). Mike followed up with When Johnny Comes Marching Home (Roud 6673), which he said has been used as a shanty.

We continued, not always in a nautical vein until the evening was rounded off by Simon singing Suzanne Vega's Tom's Diner.

The following evening Simon and Colin (dubbed "The Wreckers") joined Mike and two of his fellow Bristol Shantymen as an ad hoc chorus for an enjoyable evening of shanty singing at Tormarton.

Now listen to a selection of songs sung during this session.

(Number of people present - 3, of whom 3 performed)

New Year 2020

"Pop" by Simon Meeds (c1995)

Up one from the previous week and therefore just barely quorate, we were able to usher in the New Year in style with some appropriate songs and some, well... you will see. There will be no theme this Friday so anything goes and you would be very welcome to swell our numbers, whether or not you intend to perform.

Colin, back in harness as MC, started the evening off with The Day We Went To Rothesay O' (Roud 2142). Simon had brought several appropriate songs with him but he only managed to sing one before they were sung by others and that was Peggy Seeger's Come Fill Up Your Glasses.

Derek of course was well supplied with themed songs, starting his contribution with An Orkney New Year's Carol (Roud 4584), and Mike completed round one with Dave Goulder's The January Man.

Jackanory - I'll tell you a story

(Photo: Luca Barcellona)

We started last week's session with good news from Mike that he had had his operation and was "comfortable". We wish him a speedy recovery and an early return to the fold in good health and excellent voice.

We may have been a man down but the four of us who were left kept the singing going. Colin in particular, MC as usual, started the ball rolling with Eight Bells (Roud 13268). Still on the sea, Simon took us Sailing To Philadelphia with Mark Knopfler. From the sea we followed Geoff onto the rails with Roger Miller's King Of The Road.

Derek decided to pick up a theme from a couple of weeks before when he was not present, singing children's songs:

North East and North West

F. Parker Glass Plate
King George V Bridge, Newcastle-on-Tyne

Last week's session had no theme but as often some emerged as the evening went on. In fact at the beginning we thought we weren't going to be quorate and were resigned to singing a couple of songs each and calling it a night when who should turn up but Mike and his canine companion and occasional singer (OK, howler and winer) Indy.

Colin kicked off the evening with I Wish They'd Do It Now (Roud 1401). Derek picked up on the first line of the song, "I was born of Geordie parents" and decided to make Geordies his chosen theme, for a while at least. He warmed up with Jowl Jowl And Listen (Roud 3191).

Simon wasn't yet ready to join in that theme, so he gave us Sally Gardens (Roud V28639) which as has been noted here before, WB Yeats wrote based on half-remembered snatches of The Rambling Boys Of Pleasure (Roud 386).

Keeping the music alive

Poster for the Winter Dance Party tour
featuring the ill-fated Buddy Holly,
Ritchie Valens and The Big Bopper

Last week's session was billed as having the dual theme of rugby, for the start of the 2018 Six Nations Championship, and the anniversary of the death of Buddy Holly. Well, we didn't get much rugby but we did make a fair stab in before the break at "The Day The Music Died", hence the title of this report. And yes, the report doesn't mention much "real" folk music this week but I hope you find it interesting and there's still plenty of the "real drop" if you follow the "a selection" link at the bottom of this account.

Colin was MC and he started off the session with Sting's Fields Of Gold. much later in the evening, Simon suggested pairing that with his Sailing To Philadelphia (Mark Knopfler), both songs being written by rock musicians from the North East of England. Derek recalled a local singer when he was based in the North East himself who often sang the songs of Graeme Miles, a Middlesbrough man. One of the songs he sang was Fields Of Gold and with Derek's knowledge of modern popular music being limited, he assumed for a long time the song had been written by Miles. Colin too was surprised to learn that it was by Sting since he associated it with Eva Cassidy's enchanting version.

More May

Bonny Black Hare by eugenslavik

At last week's Dragon Folk Club session there were actually nine people and three dogs but I have counted two other people who stood at the bar for a few songs and didn't heckle, which is a bonus, thus bringing the human total to eleven, which isn't a bad showing.

Colin arrived slightly late to take up his role of MC, and it transpired he had forgotten his notes, so he was flying unaided for the evening. He asked Mike to start off and when Mike complained that he hadn't been first to arrive, Colin put him in his place... he's learning this MCing lark, at least giving back to Mike some of what he had received in previous years.

Loud and proud

1961, Dancing Bonny Green Garters in Canterbury, Kent:
Woodside Morris on one of its regular Whitsun tours

After a very poor showing the previous week, last week's session was better attended though there is still plenty of room for improvement. What's more, due a very long running wake going on in our usual bar we were consigned to the main bar and it seemed sensible to most of us to sing loud and proud. The regulars didn't appear to mind and I even heard them joining in once or twice.

Colin took up the role of MC, sitting rather mister speaker-like at the pool table and taking no nonsense, though applause was permitted. Mike kicked off the evening with Sixteen Tons (Merle Travis).

4th July - Independence Day

We've made it to the 100th post on the Dragon Folk Club blog. Granted not all of the posts are session reports but the vast majority are. The session this week took on a largely sateside theme, it being 4th July, American Independence Day.

Opening discussions were wide ranging and not a little seedy. Derek was interested to hear the progress of the Glamorgan versus Somerset cricket match, which was abandoned without a ball being bowled - at least it didn't make Derek quite as depressed as a defeat for Glamorgan but he said his team needed a win, so it wasn't all good news either. It seemed that most other discussions led to 69 and we nearly found out too much information about someone's daughter! I asked Colin what was the obscure song he sang last week about the Potteries. He answered that it was The jolly machine but Kevin misheard and thought he was talking about a contraceptive dispenser.

A late May miscellany

Frank Kidson

Some people managed to keep up the May theme this week, and even Richard found one May song, having previously given up after spending most of the preceding four months singing them. Apart from that we had somewhat of a miscellany this week.

Mike kicked off proceedings with the Card playing song (Roud 884). According to the sleeve notes of the album Bold Sportsmen All: Gamblers and Sporting Blades on which Ewan McColl sings the song, "Folksong collector Frank Kidson obtained this song from a soldier who learned it in India in the 1850s. Originally, each verse was sung by a different member of the company, who drained his glass midway through the stanza, to give himself inspiration. Other less decorous versions have come to light. This example is offered to would-be singers as a model on which they may make their own improvisations."