Welcome to the Dragon Folk Club

Welcome to the official blog of the Dragon Folk Club, which meets for a singers night every Friday at The Bridge Inn, Shortwood, Bristol. Everyone is welcome whether you sing, play or just listen.

Showing posts with label Scarborough fair. Show all posts
Showing posts with label Scarborough fair. Show all posts

Monday, 22 September 2025

Blue and Gold

(Photo: Simon Meeds)
What last week's Dragon Folk Club session lacked in number of singers it made up for in the eclectic selection of songs. Yes, we knew in advance that we would be a couple of regulars down and this time we didn't have any visitors, but that didn't affect the keenness with which we attacked our respective repertoires.

Colin, MC as usual, started the evening with The man in the moon (roud 21397), which Simon followed with Scarborough fair (roud 12, child 2).

Bob was straight into his genre of the blues, asking Blues stay away from me (Alton Delmore, Henry B Glover, Rabon Delmore, Wayne Raney). Sue cheered us up a bit and completed the first rotation with Sting's Fields of Gold. It was obviously this juxtaposition that gave us this week's report title.

There were only two songs this week that were new to the Dragon database:

And the only song not available for the playlist linked from "a selection" below was Sue's own Recycled teenager.

Other blue and gold songs (in some cases loosely) included:

Colin finished off the evening with George Papavgeris' Friends like these.

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Tuesday, 22 April 2025

Easter 2025

Sanctuaire de la Sainte-Baume
(Photo: Simon Meeds)
We had a great Easter session at the Dragon Folk Club. We loved welcoming first time visitors John and Howard who call themselves Old Friends, and now they are our friends too.

This Friday the optional theme will be St George's Day (just three days early). Don't worry if you can't follow the theme, but there's plenty of scope to follow it. St George, dragons and England are the obvious ones, but look also to his other patronages which include: agricultural workers, farmers, field workers, soldiers, archers, armourers, equestrians, cavalry, saddle makers, chivalry, peacekeeping missions, skin diseases, lepers and leprosy, syphilis, sheep, shepherds, scouting, Albania, Bulgaria, England, Ethiopia, Greece, Georgia, Portugal, Romania, Syria, Palestine, Lebanon, Castile and León, Catalonia, Alcoi, Aragon, Genoa, and Rio de Janeiro.

Back to last week, according to blog tradition I will mention all of the songs sung by newcomers John and Howard (Old Friends). Songs which are new to the Dragon database, although they may have been sung at the club before, are marked with an asterisk (*) and songs not in the YouTube playlist liked from "a selection" below are marked with a hash (#).

Colin started off with a proper Easter song: The pace-egging song (roud 614). Simon followed on with just a mention of Easter in The moonshine can (roud 9949).

Old Friends specialise in Simon & Garfunkel songs and as a duo were asked to sing two each round. They opened their account with Leaves that are green (* Paul Simon) and the eponymous Old friends (* Paul Simon).

Paul's first of the evening was the Easter-appropriate Seven virgins (roud 127) and Denny evoked Easter chicks with The chickens in the garden (roud 2552 - James Alan Bland). And so the first rotation was complete.

Colin once again brought us a seasonal offering with Dave Goulder's The Easter Tree.

John and Howard sang Scarborough Fair (roud 12, child 2) and Summertime (DuBose Heyward, George Gershwin, Ira Gershwin).

Apart from our visitors, Colin was the only one to add entries to the Dragon database during the session. He first did this with Johnny Cash's Redemption (*), and later with Eggs and bacon (*# roud 377 - collected from Stan Steggles). I didn't find a recording of Eggs and bacon, but I did find the closely related Eggs in her basket (roud 377).

Completing the collection of songs from John and Howard (Old Friends) we have:

Paul gave us one song that didn't make its way to the playlist: Tracks in the snow (# Steve Thomason).

Denny closed the session with When all men sing (Keith ScowcroftDerek Gifford).

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 6 performed)

Tuesday, 15 February 2022

Valentine's Day 2022

Last Friday it was good to see Mike back in fine voice following a dog-related incident which had kept him away. The said dog (Indy) was also present and had obviously been practising his scales. We had met to sing songs of love and lust for Valentine's Day (slightly prematurely) and that is pretty much what we did.

Colin, MCing as usual, started us off with Ralph McTell's The girl from the hiring fair. Simon followed with Scarborough Fair (roud 12, child 2) and Mike completed the first rotation with Come write me down (roud 381).

The only exception I have spotted to the love and lust theme was Mike's parting song, All the good times (Bob Pegg).

There were some doubles, the first one I noticed was Simon unusually singing two songs from Dolly Parton: Love is like a butterfly and Jolene.

Some humour came from Colin singing The Kipper Family's version of Soldier, soldier (roud 489), entitled The Disabled Seaman. This was also the only song from the evening for which I have been unable to find a YouTube recording.

Simon sang some songs more often sung by Colin: Running Bear (Jiles Perry Richardson "The Big Bopper") and Me and Bobby McGee (Kris Kristofferson, Fred Foster). In return Colin sang She Moves Through The Fair (roud 861) which Simon sometimes sings.

Colin took on quite a task of singing John Jacob Niles' song Venezuela, while Simon's biggest challenge may have been the guitar accompaniment for Margarita (Harvey Andrews).

Colin closed the evening with the second part of another double, this time from Donovan. He had earlier sung To sing for you, and now finished is off with Josie.

Now listen to a selection of songs sung during this session.

(Number of people present - 3 of whom 3 performed)

Tuesday, 10 March 2020

Not all talk

Simon & Garfunkel at Schiphol Airport,
the Netherlands in 1966
Despite being reduced to four this week, we had a good session. Apart from being reduced in numbers of people we were also reduced in numbers of songs because we gravitated to chat as much as to music. That's the way it goes sometimes.

Colin started with a joke about flies, which led to Simon and Derek also telling jokes on an entomological theme. Derek's joke reminded Mike of another, about a mouse, which he told despite it having almost exactly the same punchline.

Finally, Colin got down to singing, not about insects but about a shark, in fact The Chivalrous Shark (Wallace Irwin). Perhaps Simon met that creature in the middle of the Atlantic while Sailing To Philadelphia with Mark Knopfler?

Mike marked the recent 50th anniversary of the release by Simon & Garfunkel of the album Bridge over troubled water, singing the longer, traditional version of Scarborough Fair (Roud 12, Child 2). Scarborough Fair/Canticle wasn't on that album but on Parsley, Sage, Rosemary and Thyme from 1966. Based on a version Simon heard sung by Martin Carthy while living in the UK. Carthy in turn had picked it up from a songbook by Ewan MacColl and Peggy Seeger. The only significant contribution from Simon to the writing was the words to the Canticle counterpoint, originally an anti-war song called The Side Of A Hill which he wrote in 1963. Famously the Scarborough Fair track is alleged to have led to a feud between Carthy and Simon which, if it ever existed, is now apparently over.

Derek said he had a Welsh song left over from the previous week's St David's Day session, so he sang Swansea Town (Roud 165).

Colin introduced a song which I hadn't heard before, a sort of temperance parody of Hey John Barleycorn (Roud 2141) called Non Barleycorn.

Derek returned to another old theme, one he set for himself two weeks before of Ned Kelly or more generally Australian bushrangers. On this theme he had two fresh songs: Moreton Bay (Roud 2537) and Jim Jones At Botany Bay (Roud 5478).

Sorry, there doesn't appear to be a YouTube video of Mike's Bristol Jack Of All Trades, so we'll have to make do with the Dublin version (Roud 3017).

Colin couldn't find the tune of Take Your Time (Pete Mundey) so he changed to The Owl And The Pussycat (Edward Lear) - I have no idea whether the linked video has the same tune as Colin sang. It turned out that Take Your Time was a song that mike had been used to singing many years ago and that having forgotten all but the first verse, he had failed to find any more words. Borrowing Colin's sheet of words, that became his next song.

Derek told of how he had heard a lady sing Queen Eleanor's Confession (Roud 74) with increasingly over-the-top reactions from the King in each verse. That is therefore how he performed it, much to the dismay of our canine member, Indie who probably thought there was someone else in the room with a loud bark. I struggled to find a video of anyone singing with even half the vigour which Derek displayed; so many sing it as though the King was barely even slightly perturbed . The best I could do was this version from go-to folky vlogger, Raymond Crooke (Raymond's website).

It was Derek who finished off the first half with a rendition of The Hoily Rig, from the repertoire and possibly the pen of Bob Roberts).

Usually at this point, if not before, Mike and canine companion Indie pack up and go home to Maggie, "The Missus", but on this occasion conversation flowed.

I think it started with discussion of Mike's last song, The Rochester Recruiting Sergeant, written by Pete Coe and based on found fragments of The Bold Fusilier (there goes Raymond Crooke for the third time this week!). It moved on to the role of officers of the Glosters going off to various conflicts around the world (including the American Civil War and the Mexican War) to see fair play.

We heard that one such Gloster officer joined up in the USA and formed that country's only ever wholly black regiment. This slightly bizarrely led to talk of the founding of a bar in Massachusetts in the early 20th century by a gay couple and on to various other subjects which I can't say I remember. By the time Mike made it out of the door all this interesting chat had left us with barely five minutes before the end of the session.

We were about to close up for the night when Simon offered a reading of a letter sent by his great-great-great-uncle, Tunnard Dickinson, who had emigrated from Lincolnshire to Ohio. The letter was written on 28 January 1849 and among other things mentions the Mexican war of which Mike had spoken. With that the session ended.

There will be no theme at this Friday's session but be prepared for our St Patrick's Day theme the following week, on 20 March. Performances with more or less of a link to Ireland or St Patrick will be very welcome but don't worry, our themes are always voluntary and pretty much anything goes as long as it's acoustic.

Now listen to a selection of songs sung during this session.

(Number of people present - 4, of whom 4 performed)

Wednesday, 15 March 2017

Bits and Bobs

The Richard Oastler pub, a former chapel, in Brighouse
mentioned in the first song of the evening
Last week's Dragon Folk Club session had no theme so the songs reasonably ranged widely. It was good to see John P come along for his second dose of the club - we obviously didn't frighten him too much the previous week, and it was good to see Gary for the first time in a while.

Colin was the MC and he started us off, before Gary's arrival, with a song from his repertoire as well as that of the late Alan Mitchell: Brighouse On A Saturday Night (Roger Davies).

Geoff won't be with us for the St Patrick's Day session this Friday (take a note for your diary), so he took Ireland as his personal theme for the night, his first being The Patriot Game (Dominic Behan). John P was also in Irish mode with Star Of The County Down (Cathal McGarvey).

Thursday, 19 January 2017

Just Harping On

Photo: Bart Hanlon
Yes, you read correctly at the bottom of this post, we were only five at last week's session, in fact we were really "four twice" as my grandmother used to say about a family that lost a child and gained a new one soon after. We really need to see some new faces, and for some of you old hands to come and join us. Yes, I know we have a reasonable number of regulars but it only takes a few to have something else on and we are down to a skeleton crew. We didn't even hold our "famous" raffle, so you can tell that things were bad.

Nevertheless we had a pretty good evening with some of us singing unusual songs around the edge of our repertoires which made for some excitement.

Colin was MC and Derek started us off by taking up his own self-imposed theme of harps. His first song on this theme was The Minstrel Boy (Thomas Moore - Roud 13867). Derek continued his theme with another from Thomas Moore, The Harp That Once Through Tara's Halls (Roud 13392), impressively remembered from childhood and apparently not sung since. Next came The Twa Sisters (Roud 8, Child 10). The Ballad Of James Larkin (Donagh McDonagh) was next and generated some interest for it's phrase "The harp was buried beneath the crown", which reminded Mike of a shanty called The Harp Without A Crown, which he said was a puzzle because, while it seems to be a true shanty, it cannot be traced to any period earlier than the very last days of sail in the early 20th century. Derek's final harp contribution was a funny story of a man who died and went to heaven and became "chocker with harpin'".

Monday, 6 April 2015

Easter 2015

Charmian Bernays, aged 8,
Toowoomba, Queensland in 1922
We were a bit thin on the ground this week. Not least because, as we heard last week, Maggie has been in the wars, and I heard that Lesley may also be suffering (unconfirmed report). Get well soon ladies and come back to us. Friday was Good Friday, so there were Easter-themed songs about though we didn't all step up to the plate in that respect.

Colin was MC and he asked Derek to start us off. Derek started as he meant to go on, taking us almost on a stations of the cross tour of Easter, his first being A Week Before Easter (Roud 154). He followed that up with Maundy Thursday in the shape of Judas (Child 23), then on to Good Friday with Tomorrow Shall Be My Dancing Day.

Finally on this strand Easter Day, or rather the Easter Rising, was represented by The Women of Cumann na mBan, (The Soldiers of Cumann na mBan). Derek picked this as being the most difficult to spell in the log book for MC, Colin, who had headed him off at the pass earlier by singing his original choice, The Foggy Dew (Canon Charles O’Neill).

Sunday, 12 October 2014

Dogs and absent friends

The early part of this week's session was marked by some wining from Mike's dog, Indy. Mike was intending to leave at the interval anyway but made an early exit when things got too bad. This also influenced the singing, with several dog-themed songs, including Mike's own opener, Noah's ark shanty (Roud 318).

The first of two Steve's (Steve 1) continued the canine theme with Dido Bendigo (Roud 584). Simon's doggy offering was The smuggler's song (Rudyard Kipling). This last song was one of two sung from the repertoire of our late friend Ray Croll, the other being Buddy can you spare a dime (words: E. Y. "Yip" Harburg; music: Jay Gorney), sung by Roger.