All bets off for one week

(AI image from Stable Diffusion)

Last week's Dragon Folk Club session was a bit in between - in between themes in this season of themes. Its predecessor was Remembrance and this Friday it will be St Andrew's Day. More of that in a moment. Without a theme it gave people absolute freedom. Simon had quite a few war-themed songs left over from Remembrance while Colin thought he would lift the previous week's mainly sombre mood with some more cheerful ditties. Paul and Denny brought us a variety of seasonal, unseasonable and sing-along offerings.

So, to this Friday's theme (29th November). St Andrew, whose saint's day is on 30th November, is of course best known as the patron saint of Scotland, so anything Scottish or about Scotland will do. Also bear in mind Andrews other patronages include: Barbados, Georgia, Ukraine, Russia, Greece, Cyprus, Romania, Amalfi, Manila and Prussia; fishermen, fishmongers, rope-makers, textile workers, singers, miners, pregnant women, butchers, and farm workers.

If that doesn't give you scope enough, on Denny's request there will be a secondary theme of Lancashire Day (27th November). Remember that the county of Lancashire traditionally includes Manchester, Salford and Liverpool, none of which are in the current county, but all are fair game for the session.

Then, of course, our themes are always optional, so anything goes as long as it's acoustic, though with all that themery to go on we can probably find a tenuous connection for almost any song.

Back to last week, Colin, MC as usual, started us off with The Seven Wonders (*), credited as Welsh traditional, arranged by Maddy Prior and June Tabor who acquired it from Mick Tems of Pontardawe. Tems wrote on mudcat.org:

"The Seven Wonders is a 19th century translation of the song Y Saith Rhyfeddod, which comes from the Bala region of North Wales, collected by the Welsh Folk Song Society early in the 20th century. It falls into the same class of song as Martin Said To His Man and The Derby Ram... wild boasts, impossible achievements etc.

"I heard it sung as The Seven Wonders by an old farmer at the Gwyn Arms in Glyntawe, at the upper end of the Swansea Valley in South Wales, around 1971. We used to go to the pub for sessions and some of the locals would join in. I wish I had been more interested in collecting at that time...

"The words I heard sung were very close to a printed version, translated by Ieuan Ddu (the bardic name of the 19th century writer John Thomas). June heard me sing it c. 1976 and asked if she could have it. Other singers who took it up included Roy Harris and Pete and Chris Coe. June and Maddy changed the words considerably for the Silly Sisters album (perhaps there was an outstanding copyright on the John Thomas translation)."

Paul's first song was Adieu Sweet lovely Nancy (roud 165) and Denny's was Icy Acres (Colin Wilkie). Simon gave us Elizabeth Padgett's The Plover Catcher which brought the first rotation to its end.

Other songs that I need to mention this week are:

• Paul - Tracks in the snow (Steve Thomason) - not in the YouTube playlist but click on the title here to listen
• Denny - Follow me 'ome (* Rudyard Kipling, Peter Bellamy)
• Colin - Sicknote: the reply (Stanley Accrington) - not in the YouTube playlist
• Colin - Green peace, really green (* Geoff Pearson)
• Colin - Five o'clock in the morning (* roud V652) - not in the YouTube playlist

Colin rounded off the evening with The blackbird (Pete Budd, Tommy Banner, Tony Baylis).

(An asterisk "*" by a song indicates that it is new to the Dragon database, and may or may not be new to the club)

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

Novelty without novelty songs (this time)

(photo: Simon Meeds)

It was great to see the return of Stan to last week's Dragon Folk Club session. We haven't seen him for a while and he had been missed. You will note that I have added to the tally of those present two non-singers. These were a couple of ladies who joined us for most of one of Paul's songs and while not entirely engaged with the folk club etiquette, they were very appreciative, so they have been counted.

Colin started off the session with Steve Cropper and Otis Redding's Sittin' on the dock of the bay, which according to the Dragon database may well have only previously been sung at the club by Keith G as Colin recalled.

Stan scored the first new song of the evening for the Dragon database (though not necessarily new to the club), all of which are marked in this report with an asterisk (*). It was I'll remember you (* Kui Lee). Stan recalled Elvis Presley's recording, but it was written by Lee who was an American singer-songwriter. Lee began his career in the mainland United States while performing as a dancer. Upon his return to Hawaii he worked in clubs. At the Honey club, he met Don Ho, who popularized Lee's compositions. Ho's fame made Lee a local success in Hawaii. Multiple artists then covered his song "I'll Remember You".

Paul gave us Adieu sweet lovely Nancy (roud 165) and Denny sang Icy acres (Colin Wilkie). Denny said she had sung this song that very morning while taking her customary dip in the Clevedon Marine Lake which was two degrees (celsius) colder than on her previous visit. Colin challenged her that she might instead have sung Ee by gum (but I'm cold) (John Meeks, Colin Radcliffe, Eddie Crotty) and indeed he went on later to sing it himself.

Simon finished off the first rotation with Graham Moore's Tom Paine's bones.

Stan was definitely hot on new songs for the database, and his next was In dreams (* Roy Orbison). He continued his run of novelty with Strawberry roan (* roud 3239 - Curley Fletcher). For an extra piece of trivia, did you know that current singing star Chappell Roan (real name Kayleigh Rose Amstutz) took her stage name from her grandfather's surname and this, his favourite song?

Simon, who was not present the week before, suggested that he might have honoured the visitors from Pennsylvania with Mark Knopfler's Sailing to Philadelphia.

Colin broke Stan's run with his first contribution to the database: The Sandgate dandling song (* roud B24532 - Robert Nunn) on which the better-known Liverpool lullaby (Stan Kelly) was based - and so it crossed from the North East of England to the North West.

Paul sang Cicely Fox Smith's poem, Homeward to Sarah Morgan's tune and Denny seemingly challenged Colin, keeper of the official club record, with the title of the excellent (in my view) Rap her to bank (roud 1786).

Colin sang forth in Spanish for Guantanamera (* Joseíto Fernández, José Martí) and was followed by Stan with Scott Walker's hit song, Lights of Cincinatti (Tony Macaulay, Geoff Stephens).

Colin brought us the self-referencing Alan Price with his Jarrow Song (*). Of course the rappers of recent decades think nothing of mentioning themselves in a song, but this practice goes back further than Price and at least to Bo Diddley, possibly much further. Any suggestions of earlier examples are welcome. I'm sure there must be plenty from Music Hall and Vaudeville, and probably from the blues.

Stan came back in with Gonna get along without ya now (* Milton Kellem). I considered linking the first known recorded version by Roy Hogsed in 1951. Hogsed was born in a city which goes by the delightful name of "Flippin, Arkansas". The problem with linking this version was that it is barely recognisable as the same song as that sung in the version Stan referred to by Trini Lopez. Oh, go on, here is that first known recorded version.

We had a neat little, unintentional connected pair with Stan's I'll get over you (* Richard Leigh) from the singing of Crystal Gayle, followed by Paul's rendition of Fathom the bowl (roud 880) "There’s a clear crystal fountain near England shall roll".

Stan's and everyone's last "new" song of the evening was Sam Cooke's You send me (*). He went on to give us a precursor to the death three days later of Kris Kristofferson with Kris' song, I'd rather be sorry.

The last song of the evening came from Paul and was Farewell shanty. We don't expect to see Paul for a while since he's off to get some maintenance done, but it's not farewell, rather we hope he will be back and in fine voice in the not too distant future.

In the meantime we are back at the same time and place every Friday, so we really look forward to seeing you and ideally hearing you there.

Now listen to a selection of songs sung during this session.

(Number of people present - 7 of whom 5 performed)

Almost normal

After a few weeks of ups and downs we were back to some sort of normality last week. The environment was acceptable, and all the usual people were present. All we were missing was a selection of welcome visitors, but we can't have everything and we have enjoyed a good variety of those in the previous weeks and months. Let's hope there are many more to come.

Colin, our usual MC, got the session going with Smith of Bristol. One source I've found claims that the song can trace its roots back to the 17th century and relates it to Spanish Ladies (roud 687), but I'm not so sure because I can't find that in any of my usual, mostly authoritative, sources. It is in Ireland sings: An anthology of modern and ancient Irish songs and ballads (Dominic Behan) [song number 83]. It doesn't have a roud number though it seems to be traditional.

Simon sang his own song, The story of John Twigg (Simon Meeds): the true story of an eccentric chap who lived in Alford, Lincolnshire.

Denny followed that with Young banker (roud 3321) and Paul gave us Adieu Sweet lovely Nancy (roud 165) which is related to Swansea town.

Sue promised something uplifting and sang The crawdad song (roud 4852) before Bob predictably brought us back down with Blood red river (roud 15807). Was Sue thinking of this later when she sang Red river valley (roud 756)?

Denny sang the first song of the evening new to the Dragon database with Charlotte Oliver's Idle women of the waterways about women who worked on the narrow boats during the Second World War in a similar way to the more familiar Women's Land Army whose members worked in the fields.

The next new song to the database was Colin's rendition of Ewan MacColl's Browned off. While this song may be new to the database it certainly isn't new to the club having been sung by our late friend, Pat. Pat was from the North East of England, so it was fitting that the songs which followed were too: Simon with The Lambton Worm (roud 2337), and Denny with Teeside Bridges (Erik Gooding), another song new to the database. Erik, a mathmatics student, worked a holiday job with the Dorman Long Company in Teeside as steel stocks piled high. Erik also worked for a year in Australia as a maths teacher at Scotch College in Melbourne.

Paul suggested that Country life (roud 1752) was first sung by music hall artist Harry Linn. Linn certainly wrote a related song, also categorised as 1752 by roud, but his song: Eggs for Your Breakfast in the Morning is rather different. What I don't know is which song came first. The Watersons got Country Life from Mick Taylor, a sheepdog trainer of Hawes in Wensleydale.

Bob added one to the database with Gram Parsons' Luxury liner and the last new entry of the evening was for Denny with Icy Acres (Colin Wilkie).

Sue closed the session with Ian Tyson's Four strong winds.

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 6 performed)

Tiny fish in a small pond

MV Rt. Hon. Paul J. Martin passing through Lock 7
of the Welland Canal between Lakes Ontario and Erie
(Photo: Simon Meeds)

The numbers at the end of this report are a bit misleading. On the one hand there were two singers who met for the Dragon Folk Club session last week. On the other, due to the gents toilets being out of action, there was a constant stream of people passing through. Most, but not all, were respectful. Some were complimentary. One performed. A drunken Irishman (apparently) was effusive in his praise. We were even joined briefly by our friend Allie who was very appreciative and gave a few brief snippets from her folk repertoire.

Things started off early as John, having visited the facilities borrowed Simon's guitar and played a few riffs including Wonderwall (Noel Gallagher) for which his unnamed friend joined in with vocals.

Once we got underway properly, Simon, the stand-in MC, started things off with Windmills (Alan Bell).

Remarkably, the two singers, that is disregarding John, who appeared again later with some more riffs, and Allie with her brief medley of songs, sang a total of 39 during the evening. It was almost 11pm by the time it all finished, but the main reason for stopping at 39 was that Steve said he'd run out of songs, and almost out of voice.

You can follow the link from "a selection" below to a playlist of all the songs we sang except one. That one came from Steve and was When Adam was first created (roud 728).

No new songs were added to the Dragon database this week, although it was the first recorded singing of Steve's version of roud 369, laws L5, that being Sam Hall rather than Jack Hall which was already there.

Steve sang a couple of other songs which hadn't previously been recorded in the database for him: Adieu sweet lovely Nancy (roud 165) and The leaving of Liverpool (roud 9435).

Of course we had a few Stan Rogers songs from Steve: White squall, Tiny fish for Japan, and The field behind the plow. I also see that Rogers recorded Cyril Tawney's Sammy's bar.

The evening was completed by Simon singing Jackson C Frank's Blues run the game.

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 3 performed)

The importance of visitors

Constantine Parish Church, Cornwall (Photo: Tim Green)

Last week's session may have no theme but it certainly saw a decent turnout at the Dragon Folk Club. There's no theme again this week so I hope we can expect the same again.

We were treated to the second visit in a fortnight by the wanderers from Yorkshire, Malcolm and Janet (yes, I've now learned her name though I understand she liked being called "Malcolm's lady"). They brought along a West Midlands contingent in the form of  Dragon first-timers, Steve and Denise.

Colin, being MC as usual, started us off with Ben Backstay (Roud 21256).

The Seven Seas

Kaskelot in Bristol (Photo: Simon Meeds)

Last week's session got off to a slow start. Parking was unusually busy outside The Bridge Inn, so I wasn't early but was only the third to arrive. We had a pleasant chat and I think were about to decide whether to stay or go when Steve C arrived just on cue. At a grand total of four we were quorate and after some more procrastination we got the evening going.

Colin was MC and he started us off with So Long It's Been Good To Know You (Woody Guthrie, Roud 15161). With no theme we didn't really know what was coming next and despite being small in number we managed to come up with quite an eclectic mix of music for the evening. Some songs were intentionally aimed at a May theme and others accidentally hit that spot. Nevertheless, our official May themed session will be this week (Friday 5 May).

Burns' Night 2016

Burns' Cottage (photo by Bethany Weeks)

Some of our number had made it to The New Inn hot-foot from the wake after Alan Mitchell's funeral. Richard, who had officiated at the funeral service even came bearing left-over food which we gannets descended on well, taking with us most of what was not eaten on the spot. This meant that Richard and Lesley would not be eating ham rolls for the next three weeks!

Being just three days before Burns' Night, the plan was to sing some Scottish songs. Unfortunately some present didn't seem to have their diaries quite in sync. Never mind, our themes are always optional.