Welcome to the Dragon Folk Club

Welcome to the official blog of the Dragon Folk Club, which meets for a singers night every Friday at The Bridge Inn, Shortwood, Bristol. Everyone is welcome whether you sing, play or just listen.

Showing posts with label Sicknote: the reply. Show all posts
Showing posts with label Sicknote: the reply. Show all posts

Tuesday, 26 November 2024

All bets off for one week

(AI image from Stable Diffusion)
Last week's Dragon Folk Club session was a bit in between - in between themes in this season of themes. Its predecessor was Remembrance and this Friday it will be St Andrew's Day. More of that in a moment. Without a theme it gave people absolute freedom. Simon had quite a few war-themed songs left over from Remembrance while Colin thought he would lift the previous week's mainly sombre mood with some more cheerful ditties. Paul and Denny brought us a variety of seasonal, unseasonable and sing-along offerings.

So, to this Friday's theme (29th November). St Andrew, whose saint's day is on 30th November, is of course best known as the patron saint of Scotland, so anything Scottish or about Scotland will do. Also bear in mind Andrews other patronages include: Barbados, Georgia, Ukraine, Russia, Greece, Cyprus, Romania, Amalfi, Manila and Prussia; fishermen, fishmongers, rope-makers, textile workers, singers, miners, pregnant women, butchers, and farm workers.

If that doesn't give you scope enough, on Denny's request there will be a secondary theme of Lancashire Day (27th November). Remember that the county of Lancashire traditionally includes Manchester, Salford and Liverpool, none of which are in the current county, but all are fair game for the session.

Then, of course, our themes are always optional, so anything goes as long as it's acoustic, though with all that themery to go on we can probably find a tenuous connection for almost any song.

Back to last week, Colin, MC as usual, started us off with The Seven Wonders (*), credited as Welsh traditional, arranged by Maddy Prior and June Tabor who acquired it from Mick Tems of Pontardawe. Tems wrote on mudcat.org:

"The Seven Wonders is a 19th century translation of the song Y Saith Rhyfeddod, which comes from the Bala region of North Wales, collected by the Welsh Folk Song Society early in the 20th century. It falls into the same class of song as Martin Said To His Man and The Derby Ram... wild boasts, impossible achievements etc.

"I heard it sung as The Seven Wonders by an old farmer at the Gwyn Arms in Glyntawe, at the upper end of the Swansea Valley in South Wales, around 1971. We used to go to the pub for sessions and some of the locals would join in. I wish I had been more interested in collecting at that time...

"The words I heard sung were very close to a printed version, translated by Ieuan Ddu (the bardic name of the 19th century writer John Thomas). June heard me sing it c. 1976 and asked if she could have it. Other singers who took it up included Roy Harris and Pete and Chris Coe. June and Maddy changed the words considerably for the Silly Sisters album (perhaps there was an outstanding copyright on the John Thomas translation)."

Paul's first song was Adieu Sweet lovely Nancy (roud 165) and Denny's was Icy Acres (Colin Wilkie). Simon gave us Elizabeth Padgett's The Plover Catcher which brought the first rotation to its end.

Other songs that I need to mention this week are:
Colin rounded off the evening with The blackbird (Pete Budd, Tommy Banner, Tony Baylis).

(An asterisk "*" by a song indicates that it is new to the Dragon database, and may or may not be new to the club)

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

Monday, 16 October 2023

Absent friends

Geoff Gammon (Photo: Simon Meeds)
As you may have seen in the previous week's blog report, we heard last week of the recent death of our friend Geoff Gammon who had been coming along to the Dragon Folk Club since September 2016. Last week's Dragon Folk Club session included quite a number of songs from Geoff's repertoire.

Remember that this week's session on Friday 20th October 2023 has the optional theme of Harvest. So if you have any songs of farming, the countryside, plenty, even about fishing, now is the time to bring them out. All following of the theme, however tenuous, will be considered, and if you can't follow the theme then come along and sing, play or otherwise perform anyway.

As usual, I've tried to mention songs new to the Dragon database (*), though not necessarily to the club as well as those songs from Geoff's repertoire (@). So in order to avoid repetition, those are the symbols I will use to indicate them.

With Colin as MC we set off with the first song coming from Chris: She's like the swallow (roud 2306).

Roger sang Ramona (* roud 25739 - L Wolfe Gilbert, Mabel Wayne) in the style of the Bristol accent (complete with the Bristol "L").

John's first song was Lou Reed's Oh! Sweet nuthin'.

Colin, unwittingly, was the first to contribute to the selection of songs from Geoff's repertoire with Being a pirate (@ Don Freed).

Denny sang The bunch of thyme (roud 3) and Paul followed with Love farewell (roud 1301).

Simon sang only songs from Geoff's repertoire throughout the evening, starting with All around my hat (@ roud 22518).

Starting the second rotation, Chris gave us The banks o' Doon (roud 13889 - Robert Burns).

Former guardsman Roger took out his harmonica and spelt out his day with Reveille (*) and Sunset (*).

Colin referred to Geoff's performances of Pat Cooksey's The sick note by giving us Stanley Accrington's Sicknote: the reply (*). Sorry, there's no recording of it either here or in the playlist linked from "a selection" below.

Denny didn't claim that Geoff had sung Fiddlers' Green (John Conolly) and I can't find any record that he had, but she said it reminded her of him somehow. Paul however sang Lament for the fishing (@), written by former Dragon Derek Brinkley, which Geoff certainly sang. Sorry this is another with out a recording, and indeed one without a definite agreed tune (see Derek's 'Young Buchan' comments at the linked Mudcat thread).

Simon's next song was Battle of New Orleans (@ roud 17913 - Jimmy Driftwood).

Roger acknowledged that he risked a forfeit for singing Wild Rover (@ roud 1173). Don't worry, we don't do forfeits here.

Simon sang Robert Coltart's jingle for his confectionery business, Coulter's candy (@ roud 19019).

Chris surprised and amazed us all by reciting Lewis Carroll's Jabberwocky (*). It seemed Roger was following in a similar line of thought with an excerpt from John Donne's Meditation XVII (*), but he followed that short piece with Ralph McTell's Streets of London (@).

Colin sang Peter Sarstedt's Where do you go to my lovely (@) and Simon gave us Bob Dylan's Blowin' in the wind (@).

Colin's next song, new to the Dragon database, was Soon may the Wellerman come (*). This song from New Zealand was popularised in 2021 when Scottish postman, Nathan Evans, published a video of him singing it on TikTok. The video went viral, and despite the song not being a shanty, a new wave of popularity for shanties was born. The Wellerman of the song is an employee of the Weller brothers, Englishmen of Sydney, Australia, and Otago, New Zealand, who were the founders of a whaling station on Otago Harbour and were New Zealand's most substantial merchant traders in the 1830s. New Zealand–based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song, as well as the song John Smith A.B., from his uncle.

Simon's last contribution of the evening was Black velvet band (@ roud 2146).

Colin finished off the evening with Stan Rogers' Mary Ellen Carter.

Now listen to a selection of songs sung during this session.

(Number of people present - 7 of whom 7 performed)