Welcome to the Dragon Folk Club

Welcome to the official blog of the Dragon Folk Club, which meets for a singers night every Friday at The Bridge Inn, Shortwood, Bristol. Everyone is welcome whether you sing, play or just listen.

Showing posts with label The hills of Shiloh. Show all posts
Showing posts with label The hills of Shiloh. Show all posts

Wednesday, 7 May 2025

May Day 2025

(Photo: Simon Meeds)
Last week's Dragon Folk Club session was our first one of May, so our optional theme was that very month, and certainly there are lots of songs which mention it.

This week's theme will be VE Day and everything that goes with it. No doubt songs of war and anti-war will emerge.

We were pleased to see Stan who has been an occasional visitor for some time, as well as Stuart and Carrie who are become more frequent which is great. Denny was without Paul who was apparently biting his nails over the snooker on television.

Stand-in MC Simon, while not late, was last to arrive and so was relegated to the graveyard shift on each rotation. It was Stuart and Carrie who kicked things off with Bonny light horseman (* roud 1185).

As usual with a duo Stuart and Carrie (or should that be Carrie and Stuart?) were asked to sing again immediately and they gave us Hills of Shiloh (Shel Silverstein, Jim Friedman).

Denny started the May theme with Rosabella (roud 21134) "One Monday morning in the month of May...".

Singing I'd never find another you (* Gerry Goffin, Carole King), Stan referred to the version by Billy Fury, but here we have the original version by Tony Orlando.

Simon finished off the first rotation with Lady Franklin's lament (roud 487, laws K09). Stuart mentioned that he had been asked by someone to sing this song and wanted to play along. Simon suggested he might play the same tune again later (which he did).

On the second rotation Stuart and Carrie sang Joni Mitchell's Urge for going (*). If you watch the video, please bear with the first minute because it's worth the wait for this less-well-known of her songs.

It was on this second time round also that as promised Simon gave Stuart a chance to try his accompaniment, this time to Les Barker's Lord Franklin. Stuart continued, joined by Carrie to sing Mark Knopfler's Why worry (*).

Carrie was very pleased when Stan introduced one of her favourite songs, Don MacLean's Castles in the air (*).

Stuart and Carrie introduced yet another new song for the Dragon database in You've got to walk that lonesome valley (* roud 7098), represented here by the earliest recording of the song with The Jenkins Family singing it in 1925.

Carrie performed Jake Bugg's Country song (*) alone followed by Stan introducing us to Hier encore (Georges Garvarentz, Charles Aznavour), but in its English version: Yesterday when I was young (*), with words by Herbert Kretzmer.

Stan's final song was Always on my mind (* Wayne Carson, Mark James, Johnny Christopher). He was thinking of Willie Nelson's version, but here we have the original recording by Brenda Lee.

Simon finished off the session with Big rock candy mountain, claimed to have been written by Harry "Haywire Mac" McClintock. This version is a bit harder-hitting than that sung by Burl Ives and a mainstay of BBC Radio's children's programmes.

Now listen to a selection of songs sung during this session.

(Number of people present - 5 of whom 5 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and songs not to be found in the playlist linked from "a selection" are marked with a hash (#).

Tuesday, 25 March 2025

From Pook's Hill to the Hills of Shiloh

View from Cleeve Hill,
the highest in the Cotswolds
(Photo: Simon Meeds)
Last week's Dragon Folk Club session had no theme and the offerings were as eclectic as you would expect and hope for. It was good to see Stuart and Carrie return and they may almost now be turning into regulars, which is great.

This Friday's session will again have no official theme, but after my slightly premature suggestion last week, this Sunday really is Mothering Sunday, so songs about Mums or the Mother Church may be appropriate.

I have an apology to make to Stuart, although he seemed amused so maybe it's not so bad. Three weeks ago I was not present, so it was more difficult to check my facts, and I credited Bryson City not incorrectly to Daniel Babin, but in fact Stuart sang Bryson City Blues (*), the only song so far that he has written himself (no link to a video I'm afraid).

That asterisk indicating a song new to the Dragon database comes out immediately for the song with which Stuart and Carrie started the evening: Oak, ash and thorn (*) with words from the poem "A Tree Song" in Rudyard Kipling's Puck of Pook's Hill and music by kiplingologist Peter Bellamy.

The same duo continued with The Beatles' Norwegian wood (John Lennon, Paul McCartney).

Colin provided the main challenge of the evening for your scribe. The Labourers' Union is the one song I didn't find on YouTube and therefore the only one not included in the playlist linked from "a selection" below.

Colin had reported the week before on the health of our friend Tom Mossman, so Simon thought to bring out Tom's own Lasso the Moon, written in consultation with our late friend Ray Croll.

Denny, having sung herself out of Irish songs at the previous week's St Patrick's Day session, had realised she knew at least one more and therefore gave us The rose of Tralee (* roud 1978) which we can credit either to English writer Edward Mordaunt Spencer (words) and English composer Charles William Glover (music), or to William Pembroke Mulchinock, depending on which story we believe.

Paul brought the first rotation to an end with Somewhere to begin (* T R Ritchie).

Stuart and Carrie introduced us to The Hills of Shiloh (* Shel Silverstein, Jim Friedman), introduced to them by Martin Simpson's version, who in turn acquired it from his collaboration with June Tabor. They also made the "additions to the database" list for the week with Sandy Denny's Who knows where the time goes (*).

Colin also entered the database with Ewan MacColl's The Trafford Road Ballad (*) which was written in 1948 for "Landscape With Chimneys", a play dealing with life in Salford. It is told from the perspective of a WWII veteran who expresses his disdain for needless warfare and death. The melody is based on the 1870's Irish ballad, "Spancil Hill".

Carrie announced that she was singing 10,000 miles (*) from the repertoire of Mary Chapin Carpenter. This is an alternative name for Fare thee well (roud 422).

And so it was also Carrie who gave us our last "new" song of the evening with Stevie Nicks' Dreams (*) and a fine performance it was too. It wasn't the first song of the evening to have everyone singing along.

The final song of the evening came from Stuart and Carrie with Dink's song. Stuart told how John Lomax, on his way to collect and record songs near Huston when, passing over a bridge on the Brazos River he heard a black woman singing a song while washing her husband's clothes in a tent camp of migratory levee-builders. He was so impressed that he stopped and recorded her. Her name was Dink. He decided to come back and hear more songs from her another day, but on his return she had already died.

Cyril Tawney, while serving in the Royal Navy aboard the HMS Indefatigable, found the song in the Lomaxes' book American Ballads and Folk Songs. He was struck by the first verse, and incorporated it into the second verse of his song about the navy, The Grey Funnel Line.

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 6 performed)