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| View from Cleeve Hill, the highest in the Cotswolds (Photo: Simon Meeds) |
This Friday's session will again have no official theme, but after my slightly premature suggestion last week, this Sunday really is Mothering Sunday, so songs about Mums or the Mother Church may be appropriate.
I have an apology to make to Stuart, although he seemed amused so maybe it's not so bad. Three weeks ago I was not present, so it was more difficult to check my facts, and I credited Bryson City not incorrectly to Daniel Babin, but in fact Stuart sang Bryson City Blues (*), the only song so far that he has written himself (no link to a video I'm afraid).
That asterisk indicating a song new to the Dragon database comes out immediately for the song with which Stuart and Carrie started the evening: Oak, ash and thorn (*) with words from the poem "A Tree Song" in Rudyard Kipling's Puck of Pook's Hill and music by kiplingologist Peter Bellamy.
The same duo continued with The Beatles' Norwegian wood (John Lennon, Paul McCartney).
Colin provided the main challenge of the evening for your scribe. The Labourers' Union is the one song I didn't find on YouTube and therefore the only one not included in the playlist linked from "a selection" below.
Colin had reported the week before on the health of our friend Tom Mossman, so Simon thought to bring out Tom's own Lasso the Moon, written in consultation with our late friend Ray Croll.
Denny, having sung herself out of Irish songs at the previous week's St Patrick's Day session, had realised she knew at least one more and therefore gave us The rose of Tralee (* roud 1978) which we can credit either to English writer Edward Mordaunt Spencer (words) and English composer Charles William Glover (music), or to William Pembroke Mulchinock, depending on which story we believe.
Paul brought the first rotation to an end with Somewhere to begin (* T R Ritchie).
Stuart and Carrie introduced us to The Hills of Shiloh (* Shel Silverstein, Jim Friedman), introduced to them by Martin Simpson's version, who in turn acquired it from his collaboration with June Tabor. They also made the "additions to the database" list for the week with Sandy Denny's Who knows where the time goes (*).
Colin also entered the database with Ewan MacColl's The Trafford Road Ballad (*) which was written in 1948 for "Landscape With Chimneys", a play dealing with life in Salford. It is told from the perspective of a WWII veteran who expresses his disdain for needless warfare and death. The melody is based on the 1870's Irish ballad, "Spancil Hill".
Carrie announced that she was singing 10,000 miles (*) from the repertoire of Mary Chapin Carpenter. This is an alternative name for Fare thee well (roud 422).
And so it was also Carrie who gave us our last "new" song of the evening with Stevie Nicks' Dreams (*) and a fine performance it was too. It wasn't the first song of the evening to have everyone singing along.
The final song of the evening came from Stuart and Carrie with Dink's song. Stuart told how John Lomax, on his way to collect and record songs near Huston when, passing over a bridge on the Brazos River he heard a black woman singing a song while washing her husband's clothes in a tent camp of migratory levee-builders. He was so impressed that he stopped and recorded her. Her name was Dink. He decided to come back and hear more songs from her another day, but on his return she had already died.
Cyril Tawney, while serving in the Royal Navy aboard the HMS Indefatigable, found the song in the Lomaxes' book American Ballads and Folk Songs. He was struck by the first verse, and incorporated it into the second verse of his song about the navy, The Grey Funnel Line.
Now listen to a selection of songs sung during this session.
(Number of people present - 6 of whom 6 performed)
