St George's Day 2026

St George's, Bristol
(Photo: Simon Meeds) 

It was great to have a full complement of singers at last week's Dragon Folk Club session including second-timers Mick, and Kerstin and third-timer Ray. Apart from anything else it leads to a fantastic variety of songs, and some even took on the optional theme of St George's Day and all that is England.

Before I get down to the report, let's note that this Friday is actually 1st May, so we really should have a theme of May, which is mentioned in so many folk songs. The theme is of course as always optional, so the most important thing is that you come and join us, and sing, play or perform in whatever way you wish as long as it's acoustic, and the theme is just a nice-to-have if you can follow it for some or all or your performances. Audience members are of course also welcome as always.

 Back to last week, Colin was MC and started us off with The new St George (Richard Thompson).

Our resident Scot, Heather, followed with what she said was her only English song: John Peel (roud 1239).

Mick gave us his own musical setting of Charles Kingsley's poem Three fishers (*) - note that the linked video is Stan Rogers' setting of the same work.

Simon sang Puff and bold Saint George (#), a parody written by friend of the club, Richard Gillion.

Rob ventured into May slightly early with Hal an tow (roud 1520) and Steve, wishing to remember our recently deceased former MC Mike Starkey, sang Dido Bendigo (roud 584). Mike didn't like fox hunting, but enjoyed some of the songs on the subject, this being one he often sang.

Paul cleaved to the English theme with Fathom the bowl (roud 880) and Denny invoked the recently deceased George Papavgeris with his Friends like these.

Ray and Kerstin, singing together with Ray on ukulele, completed the first rotation with Jolene (Dolly Parton) and And I love her (* John Lennon and Paul McCartney).

There was just one song not found on YouTube and therefore not included in the playlist linked from "a selection" below. Indeed it is a song Colin has sung before and about which I still can't find any details. I assume the title is Britannia waives the rules. There are several similarly titled songs around, but I'm pretty sure I haven't found this one.

Songs and tunes not already mentioned that are new to the Dragon database are as follows:

• Mick - Hesitation blues (* roud 11765)
• Rob - Ballina whalers (* Harry Robertson)
• Ray and Kerstin - I drove all night (*  Billy Steinberg, Tom Kelly)
• Mick - Saturday night rub (* Big Bill Broonzy)
• Kerstin - Komm lieber Mai und mache (* Christian Adolph Overbeck, Wolfgang Amadeus Mozart)
•  Heather - One day at a time (* Marijohn Wilkin, Kris Kristofferson)
• Mick - Towersey fair (* Bill Meek, John Conolly)
• Rob - Mrs Barbour's army (*  Alistair Hulett)
• Ray and Kerstin - Sailing (* Gavin Sutherland)
• Mick - St Louis blues (*  W C Handy)

Simon finished off the session with When all men sing (Keith Scowcroft, Derek Gifford). 

Now listen to a selection of songs sung during this session.

(Number of people present - 11 of whom 10 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Knock knock

(Photo: Simon Meeds)

It was another great session at the Dragon Folk Club last week. We were back to reasonable strength in numbers with seven people present and all singing. There was no theme which left the field wide open.

Speaking of themes, this Friday's session (23rd January) will be our Burns' Night special (though Rabbie's actual day is Sunday), so bring your songs written or collected by Robert Burns, general Scottish songs, or anything you can vaguely link (I half-jokingly suggested songs about fire). Failing that, remember that our themes are always optional, just a bit of fun, so the most important thing is to turn up to sing, play, listen and chat - or whichever subset of those is your fancy.

Back to last week, Colin was MC and started the ball rolling with In these hard times (roud 23324 - RP Weston, Fred Barnes).

Simon delayed his planned first song and instead went for Les Barker's poem Have you got any news of the iceberg.

Roger introduced us to his self-penned song Can't be doing this any more (*#Roger Stanleigh).

Denny sang Poverty Knock (roud 3491 - Tommy Daniel). I always knew that there were stories to tell around this song, but I've done a bit more research.

Tommy Daniel was a 5ft tall weaver from Batley, although he had other jobs during his working life. He was born around 1890, started work aged 11, and died in 1970. He is variously credited with writing, re-creating or collecting the song. Piecing together the stories of various individuals who knew him, knew weaving, or simply knew the area, anecdotally the song had been in existence in some form since at least the 1920s.

Tommy himself wrote: "This work song dates back to the early Dobby power looms. Owing to low wages and the slow dreary 'knock-ity knock' sound of the looms, weavers were called 'Poverty Knockers'."

According to Wikipedia, Dobby looms first appeared around 1843, roughly 40 years after Joseph Marie Jacquard invented the Jacquard device that can be mounted atop a loom to lift the individual heddles and warp threads. The word dobby is a corruption of "draw boy," which refers to the weaver's helpers who used to control the warp thread by pulling on draw threads.

It seems that Tommy may have collected some verses of the song, edited out others that he thought too risqué, and maybe written or "recreated" some more. He sang various verses at different times and I'm sure I've heard a story that claimed he would come up with a new verse and say that he had recently "found" it somewhere.

Whatever the case, it's a great song to sing, and get people singing along. Apparently Tommy required the audience to do a tap-tap after "poverty knock".

Paul's first song of the evening was Fathom the bowl (roud 880).

Sue sang the Crawdad song (roud 4853) and Bob completed the first rotation with The last ride (Robert Halcomb, Ted Daffan).

Apart from Roger's "Can't be doing this any more" which has already been mentioned there were three more songs not found on YouTube and therefore not in the playlist linked from "a selection" below:

• Sue's own A chilly song (# Sue Lonsdale) written specifically for the Dragon Folk Club - the heating's now working, but best to still bring warm clothing at this time of year
• Colin - My favourite things (*#), which is of course a parody of My favourite things (Richard Rodgers, Oscar Hammerstein II). OK, my pedantry forced me to use the original Mary Martin performance from the Broadway show. Here is the Julie Andrews film performance you were all expecting.
• Roger - Together we fight (#Roger Stanleigh)

Paul finished the session off appropriately with the Farewell shanty. Mervyn Vincent from St. Issy and Alan Molyneux from Plymouth are largely responsible for the revival of this West Country shanty. Mervyn found it in an old book on boat-building and it later served as the closing song at Alan’s Breakwater Club in Plymouth.

Now listen to a selection of songs sung during this session.

(Number of people present - 7 of whom 7 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Saint George's Day 2024

Saint George slaying the dragon
(AI image by Stable Diffusion)

Last week's Dragon Folk Club session had Saint George's Day as its theme. Unfortunately we were still in the midst of a period of absence of some of our stalwarts and so just two singers met to celebrate England's patron saint.

Colin took the obvious, but more challenging approach of singing songs of Saint George, England and dragons. Some were funny, some were irreverent, but all were definitely on topic.

Meanwhile Simon took a broader approach, singing songs on those topics, but also incorporating some of Saint George's other patronages, including soldiers, shepherds, scouting, syphilis and skin diseases (all the "s"s in fact!).

Colin as MC started us off with John Kirkpatrick's Saint George. You may note that the linked recording isn't of John Kirkpatrick, but of Waterson:Carthy. The reason is simple: Colin, mostly like Waterson:Carthy, sang the version of the song from Kirkpatrick's Going Spare album, but all YouTube recordings I've found of him singing his own song it is the later version from his Make No Bones album.

Simon followed with Fathom the bowl (roud 880).

There were a four songs from the evening which don't appear in the YouTube playlist linked from "a selection" below. First came Raise the white dragon of England written by our friend Gary Hopwood and sung by Colin. This is a campaign song for recognition that George was not the original patron Saint of England and that according to Gary the honour goes to Edmund the Martyr. Edmund's cult flourished during the Early and High Middle Ages, and he and Edward the Confessor were regarded as the patron saints of medieval England until they were replaced by Saint George in the 15th century.

The next unrecorded song to be sung was brought to us by Simon from the pen of our friend Richard Gillion, the song being Puff and bold Saint George which has the dragon being a local chap who ends up in the service of the council.

Colin sang a Kipper Family treatment of the theme, The old Saint George (Chris Sugden), and the final un-tubed song was The perils of a carnivorous diet from Colin's own pen.

Simon finished off the evening with Rout of the blues (roud 21098).

This Friday's session will have no theme, so as usual that means any type of performance is just fine as long as it's acoustic.

Now listen to a selection of songs sung during this session.

(Number of people present - 2 of whom 2 performed)

First times and name checks

Boston Dock, Boston, Lincolnshire

Last week's session of the Dragon Folk Club had no theme and a wide variety of songs was sung, forty in all. It was good to see Steve C join us for the first time in a while.

This Friday's session (15th March) being just two days before Paddy's Day will have a theme of St Patrick and all things Irish. You may be interested to know St Patrick's full list of patronages in case you run out of Irish songs. They are:

Ireland, Nigeria, Montserrat, the Archdiocese of New York, the Roman Catholic Archdiocese of Newark (New Jersey), the Roman Catholic Archdiocese of Los Angeles, Boston (Massachusetts), Rolla, Missouri, Loíza, Puerto Rico, Murcia (Spain), Clann Giolla Phádraig, engineers, paralegals, and the Archdiocese of Melbourne. He is also invoked against snakes and sins.

Back to last week, Colin as MC started off the session with Boston Harbour (roud 613). We briefly discussed which Boston this referred to before deciding it was Boston, Massachusetts rather than Boston, Lincolnshire which has a man-made dock, opened in 1884, rather than a harbour. Nevertheless it is this dock which has inspired the featured image.

The only song of the night that doesn't feature in the YouTube playlist linked from "a selection" below is Paul's self-penned parody of Close the coalhouse door (Alex Glasgow) which he wrote while waiting in the car for Denny to have some dental treatment, and which he calls "Close the dentist's door". Of course "...there's blood inside".

There was only one song during the evening that was new to the Dragon database and that was from Colin, The pensioner's complaint (roud 1663).

Simon started a theme of firsts. The first song he sang at a folk club was Suzanne Vega's Tom's diner. The first song Denny sang in a similar situation was Oh! Oh! Antonio (roud V36813 - C W Murphy, Dan Lipton) and Paul's was Fathom the bowl (roud 880).

Steve arrived during the second rotation of the evening, and his first song of the evening was Jolly Waggoner (roud 1088).

Another ad hoc theme, first spotted by Colin, was songs with someone's name in the first line. I'll leave it to you to listen to the playlist and work out how many there were.

We had eight complete rotations of the room and while Steve missed the first Colin made up for it by starting a ninth just before the end, so his singing of New York girls (roud 486) brought us to a round tally of forty songs in the evening.

Now listen to a selection of songs sung during this session.

(Number of people present - 5 of whom 5 performed)

St Patrick's Day 2023

Florrie Forde (1875-1940)

We had a great little session for St Patrick last Friday at The Bridge. The usual suspects were joined again by Paul W and Denny, the previous week's newcomers. The full complement was made up by Steve C.

I'll keep it short this week, but I can get away with that because, unusually, the YouTube playlist from the "a selection" link at the bottom includes every one of the 40 songs sung. And yes, while forty isn't a record for Dragon session it's really up there.

Colin as MC started us off with Whiskey in the Jar (roud 533, laws L13A). Many, although not all of the songs we sang were Irish or had some connection with Ireland. Next it was Simon singing Down Our Street.

Paul gave us All For Me Grog (roud 475) and Denny added Percy French's Mountains of Mourne. Steve C completed the first round with Galway Shawl (roud 2737)

I'll briefly mention a few of the other songs.

Steve asked whether he had sung Stan Rogers' Field Behind the Plow at the club before. I can confirm he has. One occasion, not necessarily the only one, was 13 September 2019.

Colin sang The City of Chicago which was made famous by Christy Moore, but was written in 1984 by his brother, Barry Moore, who is the singer Luka Bloom.

Paul sang a version of Fathom the Bowl (Roud 880) which he had adapted to refer to Ireland and Guinness. I've taken the liberty of linking a more conventional version.

Denny sang Oh! Oh! Antonio, which was written by CW Murphy and Dan Lipton in 1908. It's nice to be able to link to a recording of Florrie Forde who was the original artist to sing the song. I really wanted to use a photograph of Forde to head this article, but realised there was probably no Irish connection. Despite CW's surname, he was William Murphy, born in Manchester in 1870. It turns out however the songs he wrote include Irish As She's Spoken (1893), How Can They Tell That Oi'm Oirish? (1898), The Little Irish Postman (1904), The Singer Was Irish (1910). That's good enough for me.

Steve finished off the evening with The Ballad of Sammy's Bar (Cyril Tawney).

Now listen to a selection of songs sung during this session.

(Number of people present - 5 of whom 5 performed)

New faces

Medieval drawing of John Ball
giving hope to Wat Tyler's rebels

There was no theme at last week's Dragon Folk Club session. We were very pleased to be able to welcome two first-time visitors: Paul and Denny who offered us some fine songs and singing. They seemed to enjoy the evening and promised to come again, which is always good to hear.

In Colin's absence, Simon was MC for a change and started things off with Tom Paine's Bones (Graham Moore).

Thomas Paine (1736-1809) was one of the most significant figures of the 18th century. Took part in the American Revolution, writing a series of pamphlets, Crisis in America and Common Sense, which played a large part in that Revolution. He went on to write a forceful defence of the French Revolution, The Rights of Man, and was elected to the National Assembly. His Age of Reason caused outrage and he was widely ostracised.

Ten years after Paine's death, William Cobbett, a journalist, loyal Englishman and at one time Paine’s bitterest enemy, found his neglected grave and dug up the skeleton. Cobbett shipped the bones to England and they remained in his possession until his death. The bones were passed to a day labourer, then to Cobbett’s secretary, then to a furniture dealer, and no more is known of their fate.

Rob followed on with his own song, Ballad of Reynardine, which may or may not be related to the traditional ballad (roud 397, laws P15) of similar name; even Rob doesn't seem sure. In the traditional song Reynardine is a werefox who attracts beautiful women so that he can take them away to his castle. What fate meets them there is usually left ambiguous.

Paul wanted to warm himself (and maybe us) up with some chorus singing and therefore gave us Fathom the Bowl (roud 880).

Denny followed with a song with its roots in American minstrelsy, being written in 1879 by James Alan Bland - The Chickens in the Garden (roud 2552). Published in 1883, it quickly became popular and found its way into the tradition, mostly in the USA and Canada, and found its way across the Atlantic, eventually becoming a favourite of Norfolk singer Walter Pardon.

And so ended the first circuit of the room. As is traditional, I will go on to mention all the songs sung by our newcomers, Paul and Denny:

• Paul - Tracks in the Snow (Steve Thomason) - the only song from the evening not in the YouTube playlist linked from "a selection" below.
• Denny - When Yellow's on the Broom (Adam McNaughton)
• Paul - Waking Dreams (roud 22620)
• Denny - Down in Your Mine (Colin Wilkie) - inspired by a mining accident in Lengede, Germany, in 1963.
• Paul and Denny - John Ball (Sydney Carter)
• Paul - Love Farewell (roud 1301)
• Denny - The Lion and Albert (Marriott Edgar)
• Paul - Thousands or More (roud 1220)
• Denny - Willy 'Ole Lad (Keith Marsden)

Simon finished the evening with everyone singing along to When All Men Sing (Keith Scowcroft, Derek Gifford).

Now listen to a selection of songs sung during this session.

(Number of people present - 4 of whom 4 performed)

White Acres

Roger Whittaker (Photo Wilfried Wittkow)

Summer is a time when people head to the hills and beaches or wherever, so we might expect some of our regulars to miss a few weeks but we are here waiting every Friday to welcome all our folky friends, even those we have yet to meet, who are gravitating in the direction of the South West of England, whether they're staying in the Bristol area or just passing through. Please come and swell our ranks, even if it's only for one session. Perhaps you'll like us enough to drop in another time when you're down our way, others have.

Colin was MC and started the session off by referring to a new fast food outlet being built in Fishponds, and sang a song he had "collected" from Maggie S: McDonald's Kitchen (Seamus Kennedy).

Welcome newcomers

Copper Family

Several of us had been to Pat Hyett's funeral earlier in the day. While we were at the wake we heard that another friend of the club, banjo player and singer of Jean Ritchie songs, Betty, is very ill. We send Betty our best wishes.

Mike and Maggie were not at this week's session, so MC was Richard. It seemed that there was multiplication of white goods. The washing machine which had been sitting in the corner of our room for some time had been joined by another large appliance and a microwave oven. I wonder what we shall see next.

Starstruck Folkies

Female drummer (Roud 226)

This week we learnt that Mike, a long-time critic of guitars at folk clubs, has bought an example of that classic famed instrument of folky torture, the banjo! Of course, in experienced hands, such as those of the club's friend Betty, my old friend Richard Holland, or hundreds of other accomplished players, it can be absolutely acceptable but we shall see (or maybe we won't see) what Mike makes of his new purchase.

We were visited this week by Neil, who has been in touch with me for a few days regarding the possibility of filming a documentary about the club. He brought his camera and did some filming, though he hopes to return sometime to do a proper filming session. Capturing each singer involved moving the microphone into position and placing candles close enough to shed some light on the subject. Mike seemed to be looking for a make-up artist but none was forthcoming.

Pre-session discussions were sparked by Maggie handing out copies of the magazine Folklife Quarterly. The main subject was Vin Garbutt, who appeared on the cover in an advert for the Bromyard Folk Festival. I don't remember exactly how, but this eventually led to Derek singing an excerpt from the Rigs of time.

More Mike songs, and some others

HMS Mars

Mike and Maggie were off on their travels again last week, so some people took a theme of Mike's songs, but since most of us were sung out of them only three weeks before coverage was patchier than last time.

Richard Started off with Tom Lewis' Marching Inland depriving Robin of his first possible Mike song. The theme was kept going for now with Derek singing Three score and ten. Derek said the scribe at one folk club used to note this one down with what seemed to be a strange symbol. Only years later did Derek realise that the strange symbol was "70".