A great evening of song

Thornbury Carnival 2019 (Photo: Simon Meeds)

Of course I almost always say we had a great evening at the Dragon Folk Club session, but yesterday really was exceptional I think. We were joined by first-time dragon, Gabriel, who not only showed us his skill at singing, guitar playing and song writing, but brought the average age of the sing-around down by a significant margin. We definitely hope to see him again, which of course also applies to second-timers Paul O and Rich. It was great to see Stuart and Carrie again, as it was Rob, and the regulars who were there also seemed in fine voice.

The next session on Friday 26th June will again be without a theme and as usual everyone is welcome to come and sing, play, recite or perform in any way within reason as long as it's acoustic.

Back to yesterday's session (19th June), Colin was MC, but Stuart and Carrie had arrived first and were therefore asked to sing first. They opened with Don't want to know (John Martyn). Since it's one song each per rotation they were asked to sing again and gave us Genesis Hall (Richard Thompson).

Colin's first of the evening was The squaddie's Lullaby (Graeme Miles) and Heather followed that with an unusual version of My favourite things, said, almost certainly apocryphally, to have been sung by Julie Andrews on her 69th or 79th birthday depending on where you read it.

Simon sang Sugar in the hold below and Rob gave us a new song for him: Fair Mabel of Wallington Hall (* roud 59, child 91).

Gabriel's debut song at the Dragon was Keep me from blowing away (* Paul Craft). Gabriel said that during a period of bad weather earlier in the year he learnt a lot of related songs.

Paul, saying that he rarely does so sober, sang unaccompanied The band played waltzing Matilda (Eric Bogle) before Rich finished off the first rotation with Mammas don't let your babies grow up to be cowboys (Ed Bruce, Patsy Bruce).

While there wasn't an official theme, there was a very tight one that emerged. After Heather sang Scarborough Fair (roud 12, child 2), which itself is a version of The elfin knight, Rob sang his own version of the same song which he calls Scarborough so fair (Rob Winder). Gabriel continued the theme by singing the song that Bob Dylan wrote after playing Scarborough fair with Martin Carthy: Girl from the North country (*).

Traditionally, I will mention all of the songs we heard from newcomer Gabriel. Apart from those already mentioned he sang:

• Born in 41 (*# Gabriel Wynne)
• Church Street blues (* Norman Blake)

 Other songs not previously in the Dragon database were:

• Paul O - Gwyn Fawr (*# Paul O'Sullivan) - Paul describes it as a love song to a reservoir 
• Heather - When I fall in love (* Edward Heyman, Victor Young)
• Paul O - The well below the valley (* roud 2335, child 21) - while the song was in the database this was the third distinct version to be added
• Rich - Ernie (the fastest milkman in the West) (* Benny Hill) - most people present knew the words well, which indicates their ages (except for Gabriel). Your scribe for one was very young, but even I remember it on Top of the Pops and was able to sing along to almost every word!

Stuart and Carrie finished off the session with Dimming of the day (Richard Thompson)

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 6 performed)

In the above report songs new to the Dragon database (though not always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Knock knock

(Photo: Simon Meeds)

It was another great session at the Dragon Folk Club last week. We were back to reasonable strength in numbers with seven people present and all singing. There was no theme which left the field wide open.

Speaking of themes, this Friday's session (23rd January) will be our Burns' Night special (though Rabbie's actual day is Sunday), so bring your songs written or collected by Robert Burns, general Scottish songs, or anything you can vaguely link (I half-jokingly suggested songs about fire). Failing that, remember that our themes are always optional, just a bit of fun, so the most important thing is to turn up to sing, play, listen and chat - or whichever subset of those is your fancy.

Back to last week, Colin was MC and started the ball rolling with In these hard times (roud 23324 - RP Weston, Fred Barnes).

Simon delayed his planned first song and instead went for Les Barker's poem Have you got any news of the iceberg.

Roger introduced us to his self-penned song Can't be doing this any more (*#Roger Stanleigh).

Denny sang Poverty Knock (roud 3491 - Tommy Daniel). I always knew that there were stories to tell around this song, but I've done a bit more research.

Tommy Daniel was a 5ft tall weaver from Batley, although he had other jobs during his working life. He was born around 1890, started work aged 11, and died in 1970. He is variously credited with writing, re-creating or collecting the song. Piecing together the stories of various individuals who knew him, knew weaving, or simply knew the area, anecdotally the song had been in existence in some form since at least the 1920s.

Tommy himself wrote: "This work song dates back to the early Dobby power looms. Owing to low wages and the slow dreary 'knock-ity knock' sound of the looms, weavers were called 'Poverty Knockers'."

According to Wikipedia, Dobby looms first appeared around 1843, roughly 40 years after Joseph Marie Jacquard invented the Jacquard device that can be mounted atop a loom to lift the individual heddles and warp threads. The word dobby is a corruption of "draw boy," which refers to the weaver's helpers who used to control the warp thread by pulling on draw threads.

It seems that Tommy may have collected some verses of the song, edited out others that he thought too risqué, and maybe written or "recreated" some more. He sang various verses at different times and I'm sure I've heard a story that claimed he would come up with a new verse and say that he had recently "found" it somewhere.

Whatever the case, it's a great song to sing, and get people singing along. Apparently Tommy required the audience to do a tap-tap after "poverty knock".

Paul's first song of the evening was Fathom the bowl (roud 880).

Sue sang the Crawdad song (roud 4853) and Bob completed the first rotation with The last ride (Robert Halcomb, Ted Daffan).

Apart from Roger's "Can't be doing this any more" which has already been mentioned there were three more songs not found on YouTube and therefore not in the playlist linked from "a selection" below:

• Sue's own A chilly song (# Sue Lonsdale) written specifically for the Dragon Folk Club - the heating's now working, but best to still bring warm clothing at this time of year
• Colin - My favourite things (*#), which is of course a parody of My favourite things (Richard Rodgers, Oscar Hammerstein II). OK, my pedantry forced me to use the original Mary Martin performance from the Broadway show. Here is the Julie Andrews film performance you were all expecting.
• Roger - Together we fight (#Roger Stanleigh)

Paul finished the session off appropriately with the Farewell shanty. Mervyn Vincent from St. Issy and Alan Molyneux from Plymouth are largely responsible for the revival of this West Country shanty. Mervyn found it in an old book on boat-building and it later served as the closing song at Alan’s Breakwater Club in Plymouth.

Now listen to a selection of songs sung during this session.

(Number of people present - 7 of whom 7 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).