A Solid Session

(Photo: Simon Meeds)

With Colin back in the MC's chair it was another excellent Dragon Folk Club session last week. There were six singers and two people made up our audience: Hazel and Jane. There was no theme, and that was reflected in the variety of songs.

With no theme again this Friday you are encouraged to come along and show us any type of performance as long as it's acoustic. If you want to bring your own theme then that's fine too.

Last Friday MC Colin started proceedings with a parody written by friend of the club, Richard Gillion, The last thing on your mind (#), as Richard puts it with "apologies to Tom Paxton".

Simon kept it parody, and referred to the singing of the source song the previous week, with Mary McCloud's House of the rising damp.

Paul M made us chuckle with Tommy Armstrong's apparent recollections of the first few days after his birth in The birth of the lad (* Tommy Armstrong) or more properly "Th' Borth E Th' Lad", and Denny kept it light with Les Barker's Sloop John A.

Paul W reprised his new song from three weeks before, I will always love you (Les Sullivan).

Heather brought the first rotation to a close with Save the last dance for me (* Doc Pomus, Mort Shuman).

There was a good number of other songs new to the Dragon database:

• Heather - Que sera sera (* Jay Livingston, Ray Evans)
• Paul M - The Batavia shanty (* John Warner)
• Paul M - Joli Rouge (* The Dreadnoughts) - about the Canadian cider of the same name
• Colin - The Dorset Juggernaut (* Bonny Sartin)
• Paul M - Lowlands low (* roud 8286) - yes, this appears to be a different song from Lowlands (roud 681) which shares a roud entry with Lowlands (roud 681).

This week it fell to Denny to finish off the session and she had us all chorusing along to Dave Dodds' I can hew boys.

Now listen to a selection of songs sung during this session.

(Number of people present - 8 of whom 6 performed)

In the above report songs new to the Dragon database (though not always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

The Curate's Egg

In front of the speakers without earplugs
(Photo: Simon Meeds)

[Edit: Just in case it isn't clear, the attached photograph was not taken at The Bridge last week. It is simply intended to suggest the experience we unfortunately had during the session. Read on to see what I mean. The photograph was taken about five years ago at a different event and the girls are not known to us - Simon was an official photographer at that event. We only have acoustic performances at the Dragon Folk Club]

Last week's Dragon Folk Club session wasn't the best, hence the title. The Curate's Egg is known to be good in parts and it was definitely the singers present who were the good part of our evening. Everything else was rather unfortunate, especially since we had our previous MC, Mike, present for the first time since mid-May 2022 (according to the blog records), as well as first time visitor Rob.

There were two issues which conspired to make this possibly our worst ever experience at The Bridge. There was a loud, live band in the main bar, and the gents toilets were out of action. The latter meant that people were constantly filing through our room to the back-up toilets (no pun intended) and while they were all polite, it meant the door was constantly opening and allowing in the full blast of the band's music. We posted a man on the door to keep it closed as much as possible, and we all sang at the top of our voices, but in the end it was just unworkable and we had to give up early.

This Friday should be much better - it certainly couldn't be worse.

Colin, the MC as usual, started off proceedings with The wild goose shanty (roud 328). Mike declared that there are many versions of that song, so he sang The wild goose shanty (roud 328); it's just like old times! If only our friend Derek had been there, we'd probably have got a third.

Rob does his own songs and poems, so naturally they were all new to the Dragon database, and in any case being his first visit they would all be mentioned here. His first was The Napoli (Rob Barratt), about the looting from the ship of that name which was beached at Branscombe in 2007.

Mike marked the recent fiftieth anniversary of the death of Adge Cutler and challenged all present to sign along to the chorus of Adge's Thee's got'n where thee cassn't back'n, hassn't.

Continuing the comedy Rob recited his poem The torpedo turd (Rob Barratt) about an impressive souvenir of the previous user of a toilet. This is one of only two performances of the evening not represented in the YouTube playlist linked from "a selection" below.

Talking of toilets, it was while Simon was singing Mary McCloud's House of the rising damp that we were joined by Sam on his way back from gaining some relief. While he didn't sing to us he did linger for a whole round of the four singers in the room and was very appreciative, listening also to Colin singing Hotel California (Don Felder, Don Henley, Glenn Frey), Mike with The Mary Ellen Carter (Stan Rogers), and Rob with Bloody who? (Rob Barratt).

The second and last performance not represented in the YouTube playlist was Colin's singing of Chris Sugden's Rolling drunk, a parody of Rolling home (John Tams).

Mike gave us Quare bungle rye (roud 2404).

Rob was inspired to write his poem Seventeen in Aberdeen (Rob Barratt) by a television weather forecast. After this things started to disintegrate and while we managed a few more songs we knew we were onto a loser.

I'm not quite sure why our friend Allie came walking though given that it was the gents toilet out of action as far as I was aware, but we introduced her to Rob and explained she was on our side and sometimes could be persuaded to sing. Indeed on her way back to the bar she gave us a couple of verses of Ian Campbell's Here come the navvies.

Colin soldiered on with Neil Young's After the goldrush, Simon gave top volume to Jake Thackray's Isabel makes love upon national monuments, and Mike completed the slightly abridged evening with Whip jamboree (roud 488); I assume it was actually Bristol Channel jamboree and therefore it is that which I linked.

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 5 performed - including Sam and Allie who each joined us for a short time and contributed to the evening)

Little links

Part of Welsh Back Quay
(photo: Simon Meeds)

It was certainly a skeleton staff at the Dragon Folk Club last Friday, but we got through 25 songs which isn't a bad effort. With a bit of luck we will be at least two up this week, so why not surprise me and come along yourself to make it even more. The more the merrier, the louder, the more satisfying.

In Colin's absence Simon was MC, but having arrived moments earlier Geoff was the first to sing with Tom Paxton's The last thing on my mind.

There were no major themes that emerged but links can sometimes be found.

Simon sang Ian "Nobby" Dye's Welsh Back Quay and Mike followed it with Paris here I come, which he learnt from Nobby. The latter is a translation of the French song En passant par Paris.

The only song we had which doesn't find it's way into the YouTube playlist linked below is Mary McCloud's parody House of the rising damp.

Geoff's singing of the Ballad of the Alamo (Dimitri Tiomkin, Paul Francis Webster) prompted Mike to bring out Santianna (roud 207). The Mexican General Antonio López de Santa Anna's forces killed 189 Texan insurgents on 6 March 1836 at the Battle of the Alamo and executed more than 342 Texan prisoners at the Goliad Massacre on 27 March 1836.

When Simon sang Suzanne Vega's Tom's Diner and Geoff gave us Paul Simon's Slip-slidin' away, they were of course both using the works of people who grew up in New York. Tenuous link? I'll get my coat.

Simon closed the evening with Stan Rogers' Northwest passage.

Now listen to a selection of songs sung during this session.

(Number of people present - 3 of whom 3 performed)

Barely there but not down the plughole

(Photo: Simon Meeds)

Despite the return of Simon from his hols, last week's session was once again barely quorate but many songs were sung - 31 in fact - before a slightly early finish as Colin ran out of songs he had prepared.

It was indeed Colin who set the ball rolling with Rigs Of The Time (Roud 876) which Derek followed with Bonny At Morn (Roud 3064). Simon's first was Mary McCloud's parody, House Of The Rising Damp and Mike gave us What's The Life Of A Man (Roud 848).

Derek suggested that Colin may have picked Leonard Cohen's most cheerful song in Hallelujah. I don't know about that but I thought you might like an analysis of the song's meaning and history.