Thirteen each (plus one)

(Photo: Simon Meeds)

Last week's Dragon Folk Club session was great despite there being only three singers. We were joined by Ray, a second-timer at the club, who didn't appear to be phased at all by being asked to sing thirteen times. We would have perfectly understood if he'd run out of steam. One of the great things about the Dragon Folk Club is that you get to air lots of your songs, and being a friendly and small (though not usually this small) group it's absolutely fine to bring things out that still need some perfecting - it's good practice.

We knew we would be short when several of our regulars said they would be elsewhere, but at least some of them should be back this Friday (16th January) when it will once again be a theme-less session in preparation for next week's (23rd January) Burns' Night theme. As always our themes are optional, but if you can bring something appropriate it will be much appreciated.

Back to last week, having been first to arrive, Simon was asked to get the ball rolling and he did so with John Conolly's Punch and Judy man. Colin, back in the MC's chair, sang Tom Lewis' Radio times. Ray completed the first rotation with Dominic Behan's Liverpool Lou.

Only one song from the evening wasn't found in YouTube and therefore doesn't appear in the playlist linked from "a selection" below:

• Colin - Epitaph (# Colin Owen)

The evening added an impressive eight songs to the Dragon database:

• Ray - Angie (* Keith Richards, Mick Jagger)
• Colin - Goodbye my lover, goodbye (* roud 15381)
• Ray - The flower and the young man (* Dave Cousins)
• Colin - Shapes of things (* Jim McCarty, Keith Relf, Paul Samwell-Smith)
• Ray - And a bang on the ear (* Mike Scott)
• Ray - Catch the wind (* Donovan Leitch)
• Ray - Hurt (* Trent Reznor)
• Ray - Lady Midnight (* Leonard Cohen)

Simon finished the session with The smuggler's song (Rudyard Kipling).

Now listen to a selection of songs sung during this session.

(Number of people present - 3 of whom 3 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Nose to tail

(Photo: Simon Meeds)

Thanks to serious traffic disruption we didn't attain our full strength until well after half way through the evening, nevertheless a total of forty two songs were sung. Second-timer Heather ran out of songs she had prepared but valiantly sang with the help of words found on her mobile phone for the rest of the evening without missing a beat.

Don't forget that this Friday (31st October) is our Halloween-themed session. As always, themes are optional, but it's nice to come up with something appropriate, however tenuously. Watch out for more upcoming themes.

MC Colin was first up with The nutting girl (roud 509).

Heather introduced the club to Scarlet ribbons (for her hair) (* roud 45048 - Jack Segal, Evelyn Danzig), and Simon completed the first rotation with John Conolly's The Punch and Judy man using Tony Capstick's version of the chorus.

Here are some more performances which need to be mentioned.

Heather sang Blanket on the ground (* Roger Bowling) which was first recorded by Billie Jo Spears and Grandfather's clock (* roud 4326 - Henry Clay Work). Heather's friend Hazel was not there to sing, but it was noted that she joined in enthusiastically with the "tick-tocks".

The Oxford English Dictionary says that the song Grandfather's clock, written in 1876, was the origin of the term "grandfather clock" for a long-case clock. It is said that the clock in the George Hotel, Piercebridge near Darlington inspired Work to write the song. The tradition was that the clock had been owned by two brothers named Jenkins. When one brother died, the clock began losing time, and it stopped for ever upon the death of the other.

Colin found what must have been a low hanging fruit to add to the Dragon database in Foggy foggy dew (* roud 558, laws O03).

Heather contributed Crazy (* Willie Nelson), made famous by Patsy Cline and that was soon followed by Colin with Reynard the fox (* roud 1868, 358).

After a couple more songs Paul and Denny made their entrance. While they are our most distant regulars, it doesn't usually take them anywhere near the two and a half hours to reach The Bridge for a session that it did last week due it seems to two road closures: one maybe for an accident and one for the planned replacement of a bridge. Anyway, arrive they did and Paul was immediately invited to sing. His first song was Bold Riley (roud 18160) and Denny followed that with The forsaken mermaid (roud 466, laws K17). And with that our complement was complete for the rest of the evening.

Helen channelled her inner Louis Armstrong for What a wonderful world (* Bob Thield (as George Douglas), George David Weiss).

Colin sang The Liverpool barrow boy (*), a song written, we are told, by Mollie Armstrong whose job it was to collect money at the door of The Spinners' Folk Club.

Heather had us singing along to Time after time (* Cyndi Lauper, Rob Hyman).

We were also able to sing along with Paul although I don't think any of us had previously heard Keith Donnelly's shanty parody Lever Johnny lever (*).

It fell to Simon to close the session with Nancy whisky (roud 883).

Now listen to a selection of songs sung during this session.

(Number of people present - 6 of whom 5 performed)

In the above report songs new to the Dragon database (though no always new to the club) are marked with an asterisk (*) and any songs not included in the "a selection" playlist are marked with a hash (#).

Boxing Day 2019

Charlie Kimber beside William Kimber’s grave
(Photo: Trevor Coppock, 1994)

Oh dear, to say we were thin on the ground last week for our "Boxing Day" session is a bit of an understatement. Nevertheless the three of us soldiered on at least for a slightly shorter time than usual. This Friday's theme will predictably be New Year. I am sure there will be some wassailing if Mike hasn't already worn all the songs out, and perhaps we will find some other appropriate festivals or anniversaries. If you can add something to the mix, we need you, and if you would just like to come and see what we do, you are very welcome too.

Simon took on the role of MC last week and raised the curtain with John Conolly's Punch And Judy Man. Equally off-topic but inspired by the photograph on last week's blog report, which he apparently didn't find cute, Derek sang The Silkie Of Sule Skerrie (Roud 197, Child 113). Mike was already into the New Year with The Begging Wassail (Roud 209).

Derek was the only one of us with properly themed songs for Boxing Day (actually Mike sang one the previous week), when lads in Ireland, the Isle of Man, Wales and other places around Europe would hunt down a wren and as far as I can tell, parade it around the town while begging for money. Derek's wren songs were Hunt The Wren (Roud 236), The Boys Of Barr Na Sráide (Sigerson Clifford) and The Wren Boys Song (Roud 19109), which was the the final song of the evening.

Barely there but not down the plughole

(Photo: Simon Meeds)

Despite the return of Simon from his hols, last week's session was once again barely quorate but many songs were sung - 31 in fact - before a slightly early finish as Colin ran out of songs he had prepared.

It was indeed Colin who set the ball rolling with Rigs Of The Time (Roud 876) which Derek followed with Bonny At Morn (Roud 3064). Simon's first was Mary McCloud's parody, House Of The Rising Damp and Mike gave us What's The Life Of A Man (Roud 848).

Derek suggested that Colin may have picked Leonard Cohen's most cheerful song in Hallelujah. I don't know about that but I thought you might like an analysis of the song's meaning and history.

Dewi Deferred

Saint David (Dewi Sant)

Last week's Dragon Folk Club session was relatively well attended with eight performers and two audience members. The audience, who said they enjoyed the evening but had to leave early were Paul and Monica; we hope to see you again soon. We were also joined from over the bridge (i.e. having travelled from his home in South Wales) by Barry. I'm not sure whether Barry has been to the DFC before but whether or not, he was very welcome.

It has come to my notice that there is an even going on that may be of interest to our regulars, particularly those who have been coming to the club for a very long time. There is an exhibition at the Yate & District Heritage Centre which runs until the 17 March, entitled The Pubs of Yate and Sodbury. It is notable because the advert for the exhibition on Facebook shows The Lamb Inn at Iron Acton, which was the original venue for the club, being its home for the first seventeen and a half years of its existence.

Back to last week's session, it informally inherited the theme of St David (Dewi Sant in Welsh) from the previous week's abortive event, which just didn't happen because of the snow. Colin was MC and He started off proceedings appropriately with the Bells Of Rhymney, a song first recorded by Pete Seeger, using words written by Welsh poet Idris Davies. The lyrics to the song were drawn from part of Davies' poetic work Gwalia Deserta ("Wasteland of Wales"), which was first published in 1938.

Waulking back to happiness

Engraving of Scotswomen singing
while waulking cloth, c. 1770

Unfortunately the main gents toilet was out of order this week, so as happens on such occasions we had quite a lot of traffic through the function room, though most people were respectfully quiet. Of special note were three young lads who Maggie S asked to be quiet; not only were they quiet but Maggie was very impressed that they thanked her for letting them come through.

Not so happy was the traverse of one well oiled individual, who managed to knock over Alan K's guitar. No serious damage appears to have been done and he was profusely apologetic; not only that, but he stayed to hear the first song, and enjoyed it. Will we see him again when he's a little less relaxed?